Ernest Palmer

Director of photography
Began his career in the early 1910s and enjoyed a productive relationship with director Frank Borzage on films such as "Seventh Heaven" (1927). Palmer worked primarily for Fox through the 1940s and in England during the ... Read more »
Born: 11/29/1884

Filmography

Camera, Film, & Tape (17)

The Woman Eater 1958 (Movie)

(Director of Photography)

Broken Arrow 1950 (Movie)

cinematography (Cinematographer)

Scudda-Hoo! Scudda-Hay! 1948 (Movie)

(Photography)

Blood and Sand 1941 (Movie)

(Photography)

Springtime in the Rockies 1941 (Movie)

(Photography)

Tall, Dark and Handsome 1940 (Movie)

(Photography)

Kentucky 1937 (Movie)

(Photography)

Ali Baba Goes to Town 1936 (Movie)

(Photography)

Banjo on My Knee 1935 (Movie)

cinematography (Cinematographer)

Cavalcade 1932 (Movie)

(Director of Photography)

Goldie 1930 (Movie)

(Director of Photography)

City Girl 1929 (Movie)

(Photography)

Just Imagine 1929 (Movie)

(Photography)

Four Devils 1927 (Movie)

(Photography)

Street Angel 1927 (Movie)

(Director of Photography)

Seventh Heaven 1926 (Movie)

(Director of Photography)

Seventh Heaven 1926 (Movie)

(Director of Photography)

Biography

Began his career in the early 1910s and enjoyed a productive relationship with director Frank Borzage on films such as "Seventh Heaven" (1927). Palmer worked primarily for Fox through the 1940s and in England during the 50s.

Milestones

1960

Last cinematographic effort, "Zoo Baby"

1940

Won an Academy Award, with Ray Rennahan, for his photography of the feature, "Blood and Sand"

1925

Was the D.P. For a few Frank Borzage silents, the first being "Wages for Wives"

1913

First credit for photography, "The Prisoner of Zenda"

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