Fabio Frizzi

Fabio Frizzi built up his entertainment career by putting his musical skills to use in the world of Hollywood. Frizzi began his entertainment career with his music featured in films like the Paolo Villaggio comedy ... Read more »
Born: 07/02/1951 in Bologna, IT

Filmography

Music (15)

Fantozzi 2000, la clonazione 1998 (Movie)

(Music)

The Beyond 1998 (Movie)

(Music)

L' Occhio del male 1986 (Movie)

music director (Music)

Sensi 1985 (Movie)

(Music)

SuperFantaGenio 1985 (Movie)

(Music)

Delitto Al Blue Gay 1983 (Movie)

(Music)

Assassinio al cimitero Etrusco 1982 (Movie)

(Music)

Pajaros de Cuidad 1980 (Movie)

(Music)

E Tu Vivrai Net Terrore! L'Aldilla 1979 (Movie)

(Music)

Amanti Miei 1978 (Movie)

music director (Music)

Manaos 1978 (Movie)

(Music)

Zombie 1978 (Movie)

(Music)

Fantozzi 1974 (Movie)

(Music)

Biography

Fabio Frizzi built up his entertainment career by putting his musical skills to use in the world of Hollywood. Frizzi began his entertainment career with his music featured in films like the Paolo Villaggio comedy "Fantozzi" (1975), "Manaos" (1979) and the horror feature "Zombie" (1979) with Tisa Farrow. His music also appeared in the horror flick "E Tu Vivrai Net Terrore! L'Aldilla" (1980) with Katherine MacColl. In the eighties, Frizzi's music continued to appear on the silver screen, including in films like "Paura Nella Citta dei Morti Civenti" (1980), "Pajaros de Cuidad" (1981) and "Assassinio al cimitero Etrusco" (1983). His work was also in "Giovani belle... probabilmente ricche" (1983) and "Delitto Al Blue Gay" (1984) with Tomas Milian. Frizzi's music was also featured in the Christopher Connelly horror film "L' Occhio del male" (1986), the thriller "Sensi" (1986) with Gabriele Lavia and the Bud Spencer fantasy "SuperFantaGenio" (1986). His music was also featured in the horror movie "The Beyond" (1998) with David Warbeck and "Fantozzi 2000, la clonazione" (1999). Most recently, Frizzi worked on the Gigi Proietti dramatic adaptation "Febbre da cavallo: La Mandrakata" (2002).

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