The epitome of the 'Nice Jewish Girl', this Newark- and Brooklyn-bred comedian and singer was a favorite on stage and radio from the 1910s through her death in 1951, though she never quite broke through in movies. Brice started her career singing in amateur contests and movie houses, working her way up to revues and burlesque. Her big break came when Florenz Ziegfeld signed her for his "Follies of 1910," as a singing comedienne. Gawky, big-nosed and rubber-faced, Brice was no Ziegfeld Girl, but she made her name with the "Follies." (She had changed the spelling of her first name from 'Fannie' to 'Fanny' in the mid-1920s). Brice appeared in seven "Follies" through 1923, as well as Ziegfeld's "Midnight Frolics" from 1915-1921. Her persona was that of the good-humored ugly duckling, skewering contemporary icons from Isadora Duncan to Theda Bara to Sally Rand. Her strong, clear voice could be used in straight songs, such as "Rose of Washington Square" and her signature tune "My Man" (which she introduced in 1921). But she was best known for her comic songs, often done with a Yiddish accent: "The Sheik of Avenue B," "Second Hand Rose," "Sadie Salome." While most closely identified with the "Follies," Brice also appeared in "The Music Box Revue" (1924), "Sweet and Low," and Billy Rose's "Crazy Quilt." Her only non-musical show was "Fanny" (1926), which flopped dismally. After Ziegfeld's death, Brice appeared in two posthumous "Follies" produced by the Shuberts, in 1934 and 1936.