Günther Kaufmann

Actor, Singer
A very handsome, strapping German character player, Kaufmann fell into film work because of the prolific and gifted neophyte film and theater director Rainer Werner Fassbinder. Born to a Bavarian mother and an ... Read more »
Born: 06/16/1947 in Germany


Actor (22)

Kleine Morde 2012 (Movie)


Jerry Cotton 2010 (Movie)


Killing Is My Business, Honey 2009 (Movie)

Salvatore Marino (Actor)

Wickie und die starken Männer 2009 (Movie)

Der schreckliche Sven (Actor)

Leroy 2007 (Movie)

Leroy's father (Actor)

Die Dritte Generation 1989 (Movie)

Franz Walsch (Actor)

Gods of the Plague 1989 (Movie)

Gunther (Actor)

In a Year of 13 Moons 1989 (Movie)

J Smolik--Chauffeur (Actor)

Lola 1989 (Movie)

GI (Actor)

The Marriage of Maria Braun 1989 (Movie)

American on Train (Actor)

Veronika Voss 1989 (Movie)

GI Dealer (Actor)

Otto - Der Film 1984 (Movie)


Querelle 1982 (Movie)

Nono (Actor)

Kamikaze '89 1981 (Movie)

Anton (Actor)

Krieg und Frieden 1981 (Movie)


Berlin Alexanderplatz 1979 (Movie)

Theo (Actor)

Ludwig - Requiem Fur einen jungfraulichen Konig 1971 (Movie)

Count Holnsein (Actor)

Das Kaffeehaus 1969 (Movie)

Leander (Actor)

Die Niklashauser Fahrt 1969 (Movie)

Farmer's Leader (Actor)

Pioniere in Ingolstadt 1969 (Movie)

Max (Actor)

Rio das Mortes 1969 (Movie)

Gunther (Actor)

Whity 1969 (Movie)

Whity (Actor)


A very handsome, strapping German character player, Kaufmann fell into film work because of the prolific and gifted neophyte film and theater director Rainer Werner Fassbinder. Born to a Bavarian mother and an African-American GI stationed in Germany after WWII, Kaufmann was not a trained actor and entered cinema when Fassbinder fell madly in love with him. Although Kaufmann never knew his father or learned English, he was often cast in roles iconically suggesting "American-ness", combined with a certain exoticism which Fassbinder used as part of his ongoing critique of German and international politics. At other times, Kaufmann's racial heritage was not emphasized at all, and he was simply part of the changing face of a restless postwar Germany.

Kaufmann's career was almost entirely bound up with Fassbinder and petered out after the director's death. He is actually a much more interesting figure for his role in Fassbinder's life than for any of the competently played but often minor roles he essayed in the filmmaker's oeuvre. Married and the father of two when he became involved with Fassbinder, Kaufmann was that rare figure who was not perennially kept off balance by the tortured genius' immense ego and seething temperament. Indeed, it was Kaufmann who did the upsetting. During their affair in 1970, Kaufmann could accede to Fassbinder's wishes or drive the director mad with jealousy by spending time with his wife or other male sex partners. Fassbinder, meanwhile, kept purchasing Lamborghini cars for the object of his desire which Kaufmann continued wrecking; once the two did the honors together on a Mercedes. Kaufmann's one major lead for Fassbinder, in the title role of the bizarre revisionist Western, "Whity" (1970) was an excuse for location shooting in which Fassbinder hoped to have Kaufmann all to himself.

Perhaps to minimize Kaufmann's inexperience, Fassbinder cast him in undemanding roles named 'Gunther' in several films; he also used the actor as a projection of his own fantasies, playing up Kaufmann's working-class swarthiness as a farmer in "Die Niklashauser Fahrt" (1970) or as a chauffeur in "In a Year of 13 Moons" (1979). "Whity" was the most extreme example of this tendency, with Kaufmann as a mistreated laborer who rebels and kills his exploiters. After their affair ended, Kaufmann acted in his first non-Fassbinder effort, Hans-Jurgen Syberberg's odd and compelling "Ludwig-- Requiem for a Virgin King" (1972).

Kaufmann did not return to film until later in the decade when, as with much of Fassbinder's company, he fell back in favor with the director, this time as a friend. Once more, he played small iconic roles as a GI in "Veronika Voss" (1982) and an American in "The Marriage of Maria Braun" (1978). Two of his last efforts alongside Fassbinder aptly showed art--and the director's fantasies--deliberately imitating life. In a sensuous adaptation of Jean Genet's "Querelle" (1982), Fassbinder's last directed film, Kaufmann was Nono, the barman who gets to rape male customers who lose at dice while playing to have sex with the bar's female owner. And in the police drama "Kamikaze '89" (1982), directed by Wolf Gremm, Fassbinder played an inspector dealing with a bomb threat in a building, with Kaufmann cast as his loyal sidekick. Kaufmann later played roles in the political anthology "War and Peace" (1982) and the hit farce "Otto--Der Film" (1985). He also recorded songs composed by Peer Raben, who had scored most of Fassbinder's films.


Rainer Werner Fassbinder Director

Kaufman and Fassbinder were lovers for a time in 1970



Rare feature acting credit after Fassbinder's death, "Otto--Der Film", co-directed by former Fassbinder cinematographer Xaver Schwarzenberger


Acted alongside Fassbinder in the police drama, "Kamikaze '89", directed by Wolf Gremm


Last role in a Fassbinder-directed film, "Querelle", which was also Fassbinder's last directorial effort before he died


Returned to film acting with a role in Fassbinder's "The Marriage of Maria Braun"


First role in a film not directed by Fassbinder, "Ludwig--Requiem for a Virgin King", directed by Hans-Jurgen Syberberg; also marked Kaufmann's last film for a number of years


Was supposed to play a leading role in Fassbinder's "The American Soldier", but plans fell through when their affair did; Kaufmann did perform a song written by Peer Raben in the film, "So Much Tenderness"


Played a rare leading role (the title role) in Fassbinder's "Whity"


Earliest acting appearances include a role as 'Gunther' in Rainer Werner Fassbinder's "Gods of the Plague"

Made some recordings of songs written by composer Peer Raben


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