She was the first black actor to win an Academy Award, but Hattie McDaniel paid a price to cross Hollywood's color line. Schooled in minstrelsy in the years leading up to the Depression, during which time she developed the stock character of a sassy black housemaid who refused to kowtow to her white employers, McDaniel arrived in Hollywood after the 1929 stock market crash and was soon earning more money playing servants than most stockbrokers were seeing from their investments. Billed low in the credits, McDaniel more than measured up to the likes of Clark Gable, Bette Davis, Jean Harlow and Barbara Stanwyck, often stealing one or two scenes in such films as John Ford's "Judge Priest" (1934), Tay Garnett's "China Seas" (1935), and George Stevens' "Alice Adams" (1935) from their A-list players. Gable recommended McDaniel to producer David O. Selznick for the role of Scarlett O'Hara's nursemaid Mammy in "Gone with the Wind" (1939); Selznick was so impressed with the actress that he had the screenplay rewritten to accommodate her. Though segregation precluded McDaniel from attending the film's Atlanta premiere, vindication came with an Oscar win for Best Actress in a Supporting Role. If her films declined in quality in the years before her death in 1952, Hattie McDaniel had long since proved her point that being one of the first successful African-American actresses was a groundbreaking achievement and that no matter the criticism, she always lived by her credo, "I'd rather play a maid than be one."