Horst Wendlandt

Prolific German film producer Horst Wendlandt produced over 100 films, beginning his career after World War II as a production manager and production assistant before eventually finding a mentor in established producer ... Read more »
Born: 03/15/1922 in Griewen, Brandenburg, DE

Filmography

Producer (18)

Pappa ante portas 1991 (Movie)

(Producer)

Lola 1989 (Movie)

(Producer)

Odipussi 1988 (Movie)

(Producer)

Otto - Der Neue Film 1986 (Movie)

(Producer)

Momo 1985 (Movie)

(Producer)

Otto - Der Film 1984 (Movie)

(Producer)

From the Life of the Marionettes 1980 (Movie)

(Producer)

The Serpent's Egg 1976 (Movie)

(Executive Producer)

Das Raetsel des Silbernen Halbmonds 1971 (Movie)

(Producer)

Hauptsache Ferien 1971 (Movie)

(Producer)

The Secret of the Green Pins 1971 (Movie)

(Producer)

Willi Wird das Kind Schon Schaukeln 1971 (Movie)

(Producer)

Unser Willi ist der Beste 1970 (Movie)

(Producer)

Die Herren mit der Weissen Weste 1969 (Movie)

(Producer)

Die Tote Aus der Themse 1969 (Movie)

(Producer)

Hurra, wir sind mal wieder Junggesellen 1969 (Movie)

(Executive Producer)

Vinetu 1965 (Movie)

(Producer)

Biography

Prolific German film producer Horst Wendlandt produced over 100 films, beginning his career after World War II as a production manager and production assistant before eventually finding a mentor in established producer Arthur Brauner, for whom he worked from 1956 to 1961 on titles such as "Love" and "Petersburg Nights. " Wendlandt also worked occasionally as a writer, penning nine screenplays overall include those for "Gentlemen in White Vests" to "Hurray We Are Bachelors Again." In 1972, Wendlandt broached yet another phase of his varied career when he became a major shareholder in the film company Rialto Film. To top things off, the busy multi-hyphenate also squeezed in two cameo appearances early on in his professional career. In terms of his North American profile, many filmgoers know Wendlandt for the 1982 Rainer Werner Fassbinder drama "Veronika Voss," which won a prestigious Golden Bear at the Berlin Film Festival as well as the International Critics' Award at that year's Toronto International Film Festival.

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