Louis Malle

Director, Producer, Screenwriter
One of the most consistently innovative and risk-taking filmmakers of his generation, Louis Malle directed a number of critically acclaimed films both in his native France and the United States, but rarely received the ... Read more »
Born: 10/29/1932 in France

Filmography

Director (28)

Elevator to the Gallows 2005 (Movie)

(Director)

... And the Pursuit of Happiness 1996 (Movie)

(Director)

Vanya on 42nd Street 1994 (Movie)

(Director)

Damage 1992 (Movie)

(Director)

May Fools 1990 (Movie)

(Director)

Au revoir, les enfants 1988 (Movie)

(Director)

Vie Privee 1988 (Movie)

(Director)

God's Country 1985 - 1986 (TV Show)

Director

Alamo Bay 1985 (Movie)

(Director)

Crackers 1984 (Movie)

(Director)

Atlantic City 1981 (Movie)

(Director)

My Dinner With Andre 1981 (Movie)

(Director)

Pretty Baby 1978 (Movie)

(Director)

Black Moon 1975 (Movie)

(Director)

Lacombe, Lucien 1974 (Movie)

(Director)

Humain, trop humain 1972 (Movie)

(Director)

Murmur of the Heart 1971 (Movie)

(Director)

Calcutta 1969 (Movie)

(Director)

Toby Dammit 1969 (Movie)

("Willliam Wilson") (Director)

Phantom India 1968 (Movie)

(Director)

The Thief of Paris 1966 (Movie)

(Director)

Viva Maria 1964 (Movie)

(Director)

The Fire Within 1962 (Movie)

(Director)

Vive le Tour! 1961 (Movie)

(Director)

Zazie 1960 (Movie)

(Director)

The Lovers 1958 (Movie)

(Director)

The House on the Waterfront 1955 (Movie)

(underwater scenes) (Director)

The Silent World 1955 (Movie)

(Director)
Writer (23)

Elevator to the Gallows 2005 (Movie)

adaptation (Writer (adaptation))

Elevator to the Gallows 2005 (Movie)

(Screenplay)

... And the Pursuit of Happiness 1996 (Movie)

(Screenplay)

May Fools 1990 (Movie)

(From Story)

May Fools 1990 (Movie)

(Screenplay)

Au revoir, les enfants 1988 (Movie)

dialogue (Writer (dialogue))

Au revoir, les enfants 1988 (Movie)

(Screenplay)

Au revoir, les enfants 1988 (Movie)

adaptation (Writer (adaptation))

Vie Privee 1988 (Movie)

(Screenplay)

Pretty Baby 1978 (Movie)

(From Story)

Black Moon 1975 (Movie)

(Screenplay)

Lacombe, Lucien 1974 (Movie)

(Screenplay)

Murmur of the Heart 1971 (Movie)

(Screenplay)

Calcutta 1969 (Movie)

(Screenplay)

Toby Dammit 1969 (Movie)

("William Wilson") (Screenplay)

The Thief of Paris 1966 (Movie)

(Screenplay)

Viva Maria 1964 (Movie)

dialogue (Writer (dialogue))

Viva Maria 1964 (Movie)

(Screenplay)

The Fire Within 1962 (Movie)

(Screenplay)

Vive le Tour! 1961 (Movie)

(Screenplay)

Zazie 1960 (Movie)

(Screenplay)

The Lovers 1958 (Movie)

(Screenplay)

The Silent World 1955 (Movie)

(Screenplay)
Actor (11)

Who Is Henry Jaglom? 1994 (Movie)

Himself (Actor)

La Vie de Boheme 1993 (Movie)

Gentleman (Actor)

Au revoir, les enfants 1988 (Movie)

Narration (Narrator)

Vie Privee 1988 (Movie)

Journalist (Actor)

And the Pursuit of Happiness 1985 - 1986 (TV Show)

Narrator

De Weg Naar Bresson 1983 (Movie)

Himself (Actor)

Before the Nickelodeon: The Early Cinema Of Edwin S. Porter 1981 (Movie)

("Melies Catalogue") (Voice)

Calcutta 1969 (Movie)

(Actor)

The Milky Way 1969 (Movie)

(Actor)

La Fiancee du pirate 1968 (Movie)

(Actor)

Vive le Tour! 1961 (Movie)

Narration (Narrator)
Producer (9)

Damage 1992 (Movie)

(Producer)

Au revoir, les enfants 1988 (Movie)

(Co-Producer)

Alamo Bay 1985 (Movie)

(Producer)

Pretty Baby 1978 (Movie)

(Producer)

Lacombe, Lucien 1974 (Movie)

(Producer)

Humain, trop humain 1972 (Movie)

(Producer)

The Thief of Paris 1966 (Movie)

(Producer)

Viva Maria 1964 (Movie)

(Producer)

Zazie 1960 (Movie)

(Producer)
Camera, Film, & Tape (7)

... And the Pursuit of Happiness 1996 (Movie)

cinematography (Cinematographer)

Jacques Yves-Cousteau: My First 85 Years 1995 - 1996 (TV Show)

Photography

Mort d'un Guide 1974 (Movie)

cinematography (Cinematographer)

Humain, trop humain 1972 (Movie)

(Director of Photography)

Calcutta 1969 (Movie)

cinematography (Cinematographer)

Phantom India 1968 (Movie)

cinematography (Cinematographer)

Vive le Tour! 1961 (Movie)

cinematography (Cinematographer)
Art Department (2)

Young Torless 1965 (Movie)

art direction supervision (Art Director)

Le Combat dans l'ile 1961 (Movie)

art direction supervision (Art Director)
Production Management (1)

"Calypso" cap au sud 1953 (Movie)

(Assistant Director)
Music (1)

Viva Maria 1964 (Movie)

lyrics (Theme Lyrics)
Other (2)

Calcutta 1969 (Movie)

English narration (Other)

A Man Escaped 1955 (Movie)

(Production Assistant)

Biography

One of the most consistently innovative and risk-taking filmmakers of his generation, Louis Malle directed a number of critically acclaimed films both in his native France and the United States, but rarely received the attention that his work commanded. Malle first made a splash for his award-winning documentary with Jacques Cousteau, "Le Monde du silence" (1955), and made an effective transition to narrative filmmaking with "Elevator to the Gallows" (1957) and the controversial drama "The Lovers" (1958). He went on to helm the masterful character drama "The Fire Within" (1963) and had a major international success with the one-of-a-kind documentary series "Phantom India" (1969). After oscillating between French-made documentaries and features throughout the 1970s, Malle made his American debut with the highly charged, but ultimately mundane "Pretty Baby" (1978), before faring much better with the atmospheric crime drama "Atlantic City" (1980), which earned him his only Best Director nomination at the Academy Awards. From there, he directed his most creatively daring film, "My Dinner with Andre" (1984), returned to France for the explicitly autobiographical "Au Revoir les enfants" (1987), and ended his career - which was cut short by cancer - with the clever "Vanya on 42nd Street" (1994). From undersea documentaries to romantic thrillers; from exposés on poverty to extended dinner conversations, Malle's work could hardly have been more diverse, challenging and worthy of the highest praise.

Born on Oct. 30, 1932 in Thumeries, Nord, France, Malle was raised in a wealthy family by his father, Pierre, a former naval officer who became the director of a sugar refinery, and his mother, Francoise, the heiress to a sugar fortune. He initially studied political science at the Institut d'etudes politiques, Sorbonne, University of Paris, but became interested in film and transferred his studies to the Institut des hautes etudes cinématographiques (IDHEC). Malle began his career working with famed ocean explorer Jacques Cousteau on "Le Monde du silence" (1955), which won the Palme d'Or at the Cannes Film Festival and the Oscar for Best Documentary Feature. He also assisted Robert Bresson on "A Condemned Man Escapes" (1956). His first feature was a stylish commercial thriller, "Elevator to the Gallows" (1957), and he gained international recognition the next year with "The Lovers" (1958), a study of upper-class ennui which featured a dazzling performance by Jeanne Moreau - with whom he was romantically involved at the time - and a degree of sexual frankness that sparked years of outrage. He went on to direct "Zazie dans le metro" (1960), a comedy about a foul-mouthed preteen, before returning to documentary filmmaking with "Vive le Tour" (1962), an examination of that year's Tour de France.

Returning to narrative films, Malle directed a young Brigitte Bardot in the May-December romantic drama "A Very Private Affair" (1962), also starring Marcello Mastroianni, and had another early triumph with "The Fire Within" (1963), a masterful study of the mental disintegration of a recovering alcoholic (Maurice Ronet) searching for a reason to continue living. After directing Bardot and Moreau in the engaging adventure comedy "Viva Maria!" (1965), Malle stumbled with the predictable crime comedy "Le Voleur" (1967) and the costume horror drama "Spirits of the Dead" (1968), an anthology film of Edgar Allen Poe adaptations co-directed by Roger Vadim and Federico Fellini. Malle went back to documentaries and directed his crowning achievement in the form with "Phantom India" (1969), a massive six-plus hour series exploring in epic detail life in India circa 1968. Originally shown on French television, the documentary series covered a wide range of topics - from Bombay to the caste system - and spawned an off-shoot documentary, "Calcutta" (1969), that was shown at the Cannes Film Festival.

Malle followed up his non-fiction triumph with the accomplished sex farce "A Very Curious Girl" (1969) and managed to stir more controversy with "Murmur of the Heart" (1971), a light coming-of-age sex comedy that delved a bit into incest. After the rather minor man-on-the-street documentary "Place de la Republique" (1974), he once again courted controversy - this time of a political nature - with "Lacombe Lucien" (1974), a stark drama about the German occupation of France during World War II that was one of the first films to suggest that not all Frenchmen were in league with the resistance. The film was nominated for Best Foreign Language Film at the Academy Awards. After decades of making films in France, Malle made his American debut with "Pretty Baby" (1978), which starred Brooke Shields as the product of a prostitute mother (Susan Sarandon) who is raised in a turn of the century New Orleans brothel and decides to adopt her mother's profession. Despite the charged subject matter and the controversy of an actual underage actress playing a lust object, Malle's rather mundane approach made critics and audiences shrug. On a personal note, the director began a romantic entanglement with Sarandon, which would last only two years.

Though he had an inauspicious U.S. debut, Malle followed with an outstanding second American film, "Atlantic City" (1980), an atmospheric crime drama about an aging has-been gangster (Burt Lancaster), who falls for a casino croupier (Sarandon) after her husband steal drugs from the mob and is killed. The film was highly praised by critics and earned Malle his only Academy Award nomination for Best Director. Malle followed up with "My Dinner with Andre" (1981), a lengthy conversation between playwright Wallace Shawn and director Andre Gregory that turns into an unexpectedly engaging treatise on politics and society. By this point, Malle had married second wife, actress Candice Bergen, in 1980. The couple would remain together until his death. Meanwhile, he directed Donald Sutherland and Sean Penn in the easily dismissed caper comedy "Crackers" (1984) before turning back to documentaries with the heartwarming "God's Country" (PBS, 1986). After a decade-long absence, he returned to France to direct "Au Revoir les enfants" (1987), an explicitly autobiographical work about boyhood friendships and betrayal during the German Occupation, arguably his most successful film in terms of public and critical response. The film won a number of prominent festival awards and received an Academy Award nomination for Best Foreign Language Film.

Malle went on to helm the slight, but diverting comedy "May Fools" (1990), which was set in the French countryside during the 1968 student riots in Paris. From there, he directed Miranda Richardson and Jeremy Irons in the British production "Damage" (1992), an erotic thriller about deceit and sexual obsession. Malle again collaborated with actor Wallace Shawn and director Andre Gregory on what was to be his last film, "Vanya on 42nd Street" (1994), an interpretation of Anton Chekhov's "Uncle Vanya" about a troupe of actors rehearsing the play in the dilapidated New Amsterdam Theater in New York City. Scripted by David Mamet, the film was a clever take on Chekhov's play and proved to be the director's swan song. Malle had been quietly battling lymphoma and succumbed to the cancer in his Beverly Hills home, surrounded by his wife and family, on Nov. 23, 1995, which happened to be Thanksgiving Day. He was 63 years old.

By Shawn Dwyer

Relationships

Maxime de la Falaise

Companion
born in 1922 had relationship in the mid-1950s for approximately three years

Candice Bergen Actor

Wife
Married Sept. 27, 1980 until his death from cancer Nov. 23, 1995

Anne-Marie Deschodt

Wife
married in 1965 divorced in 1967

Pierre Malle

Father

Francoise Malle

Mother

Chloe Malle

Daughter
born 1985 mother, Candice Bergen survived him

Justine Malle

Daughter
born c. 1974 mother, actor Alexandra Stewart was not married to Malle survived him

Cuathemoc Malle

Son
born c. 1971 mother, German actor Gila von Weitershausen survived him

Vincent Malle

Brother
older married to actor Dorothy Lyman survived him

Jeanne Moreau Actor

Companion
were romantically involved during shooting of "Elevator to the Gallows" (1957) and "The Lovers" (1958)

Susan Sarandon Actor

Companion
Had two-year relationship in the late 1970s Malle directed Sarandon in "Pretty Baby" (1978) and "Atlantic City" (1980)

Alexandra Stewart

Companion
mother ot Justine Malle

Gila Weitershausen

Companion
German mother of Malle's son

EDUCATION

Institut d'Etudes Politiques, Sorbonne, University of Paris

Paris

Institut des Hautes Etudes Cinematographiques

Paris 1950 - 1953

Jesuit College at Fontainebleau

was the locale for his 1987 auto-biopic, "Goodbye, Children"

College des Carmes

Milestones

1995

Diagnosed with an invasive lymphoma that broke down his immune system and attacked his brain

1978

US feature film debut, "Pretty Baby"

1958

Directed and scripted breakthrough film, "The Lovers"

1957

Feature film directing debut and screenplay adaptation, "Elevator to the Gallows"

1954

Directorial debut doing underwater sequences, "The House on the Waterfront"

1954

Began working with Jacques Cousteau as assistant director, "Calypso cap au sud"

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