Lucien Andriot

Director of photography
In Hollywood from before the age of 20, Andriot worked on a throng of pedestrian B pictures, occasionally collaborating on more notable films. In the 1940s, he was teamed with Rene Clair, for "And Then There Were None" ... Read more »
Born: 11/19/1897 in Paris, FR

Filmography

Camera, Film, & Tape (10)

Home Town Story 1951 (Movie)

cinematography (Cinematographer)

The Sullivans 1944 (Movie)

(Photography)

Over My Dead Body 1941 (Movie)

(Photography)

Idol of the Crowds 1936 (Movie)

(Director of Photography)

The Gay Desperado 1935 (Movie)

(Photography)

Topaze 1932 (Movie)

(Photography)

Happy Days 1930 (Movie)

(Photography)

Women of All Nations 1930 (Movie)

(Director of Photography)

The Valiant 1928 (Movie)

(Photography)

A Ship Comes In 1927 (Movie)

(Photography)

Biography

In Hollywood from before the age of 20, Andriot worked on a throng of pedestrian B pictures, occasionally collaborating on more notable films. In the 1940s, he was teamed with Rene Clair, for "And Then There Were None" (1945), and Jean Renoir, for "The Southerner" (1945) and "Diary of a Chambermaid" (1946).

Milestones

1951

Last film work, credited as cinematographer, for Arthur Pierson's "Home Town Story"

1944

Worked with Jean Renoir on "The Southerner" and "The Diary of a Chambermaid"

1931

Final collaboration with William K. Howard, "Don't Bet on Women"

1922

First worked with director William K. Howard on "Captain Fly-By-Night"

1917

Began film work as photographer for Maurice Tourneur's "The Poor Little Rich Girl"

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