Fiery, smoky-voiced Greek stage and screen actress with green eyes and natural blonde hair, adept at both drama and comedy. Melina Mercouri was in many ways a parallel figure to stars ranging from Hollywoodites Susan Hayward and Joan Crawford to Italy's Sophia Loren and Anna Magnani, with a star persona manifesting an outsize personality, a penchant for melodrama and a riveting lust for life. An established stage performer by the early 1950s, she made her film debut as a free-living bouzouki cafe singer in 1955 in Michael Cacoyannis' Greek-language film, "Stella," which was expressly written for her. Mercouri achieved international stardom with a number of features directed by the expatriate American director Jules Dassin, whom she married in 1966 and with whom she collaborated on nine films. Among these, audiences probably best remember Mercouri's delightful, performance as a sentimental, happy-go-lucky prostitute in her signature film, "Never on Sunday" (1960). She also brought her volatile screen persona to "Phaedra" (1961), an old-fashioned star vehicle disguised as updated Greek mythology, and was suitably tongue-in-cheek in the enjoyable caper escapade, "Topkapi" (1964) and middling spy adventure, "A Man Could Get Killed" (1966).