Long neglected by critics and film historians, director and art director Mitchell Leisen underwent a reexamination in later years, leading to more appreciation of his work. While not on par with contemporaries like Ernst Lubitsch or Preston Sturges, Leisen did helm a number of notable screwball comedies that have stood the test of time. After making his mark with "Death Takes a Holiday" (1934), he excelled in the genre with "Hands Across the Table" (1935) and "Swing High, Swing Low" (1937), both starring Carole Lombard and Fred MacMurray. He went on to direct the excellent romantic comedy "Remember the Night" (1940) and the tragic melodrama "Hold Back the Dawn" (1941), before becoming a notable actress' director with "To Each His Own" (1946) and "The Mating Season" (1951). His feature career dropped off in the mid-1950s, with Leisen turning to television by helming episodes of "The Twilight Zone" (CBS, 1959-1964) and "Wagon Train" (NBC/ABC, 1957-1965). But in his waning days, Leisen directed less substantial films that were better left forgotten. Less a maverick than his more accomplished contemporaries, at the height of his powers, Leisen was an expert craftsman of opulent productions that more often than not featured strong performances, witty banter and lavish set pieces.