Well into his forties before moving to America to work, Dutch-born director Paul Verhoeven has thrived in the world of big budgets, exercising his lurid imagination and tremendous appetite for sex and violence to become a master of modern sensation. His first three Hollywood films were authentic smash hits, beginning with the explicit brutality of "RoboCop" (1987), continuing through the gasp-making action of "Total Recall" (1990) to the viscerally explosive and controversial "Basic Instinct" (1992). Then came "Showgirls" (1995), a sort of topless "All About Eve," which was such a bomb that it has enjoyed a rebirth as a camp classic. Verhoeven was even sport enough to show up and give a speech at the Golden Raspberry Foundation's annual 'Razzie' awards (where the film received seven prizes) commenting that the experience "helped a lot to get rid of that unpleasant feeling of being hurt." Perhaps "Showgirls" was just the tonic to stave off complacency because he rebounded with the turbo-charged sci-fi actioner "Starship Troopers" (1997), raising the standard for spaceship battle effects while offering a disturbing political subtext.