Petula Clark

Actor, Singer
Singer-actress Petula Clark's soaring, often soulful vocals helped to grant her one of the longest-running and most successful music careers in the history of British pop music, with over 15 Top 40 singles in the United ... Read more »
Born: 11/14/1932 in Surrey, England, GB


Actor (24)

Showtime at the Stadium 2001 - 2002 (TV Show)


Princess Margaret: The Rebel Princess 1999 - 2000 (TV Show)


The Night of 100 Stars II 1984 - 1985 (TV Show)


Perry Como's Olde English Christmas 1977 - 1978 (TV Show)


Droles de zebres 1976 (Movie)


Perry Como's Hawaiian Holiday 1975 - 1976 (TV Show)


Opryland U.S.A. 1973 - 1974 (TV Show)


Petula 1970 - 1971 (TV Show)


The Andy Williams Special 1970 - 1971 (TV Show)


The Bob Hope Show (02/15/71) 1970 - 1971 (TV Show)


Goodbye, Mr. Chips 1969 (Movie)

Katherine (Actor)

Portrait of Petula 1968 - 1969 (TV Show)


Finian's Rainbow 1968 (Movie)

Sharon McLonergan (Actor)

Petula 1967 - 1968 (TV Show)


Rodgers and Hart Today 1966 - 1967 (TV Show)


The Runaway Bus 1954 (Movie)


The Promoter 1952 (Movie)

Nellie Cotterill (Actor)

Dance Hall (Movie)

Georgie Wilson (Actor)

London Town (Movie)

Peggy Sanford (Actor)

Strawberry Roan (Movie)

Emily (Actor)
Music (9)

Killing Them Softly 2012 (Movie)

("Windmills Of Your Mind") (Song Performer)

Not Fade Away 2012 (Movie)

("Downtown") (Song Performer)

Last Resort 2001 (Movie)

("Downtown" "Ciao Ciao") (Song Performer)

Drop Dead Gorgeous 1999 (Movie)

("Downtown") (Song Performer)

Drop Dead Gorgeous 1999 (Movie)

("Downtown") (Song Performer)

Simpatico 1999 (Movie)

("Games People Play") (Song Performer)

Billy's Hollywood Screen Kiss 1998 (Movie)

("This Is My Song" "Happy Heart") (Song Performer)

Twin Town 1997 (Movie)

("The Other Men's Grass is Always Greener" "Downtown") (Song Performer)

Thirty Two Short Films About Glenn Gould 1994 (Movie)

song performer "Downtown"(("Truck Stop")) (Song Performer)


Singer-actress Petula Clark's soaring, often soulful vocals helped to grant her one of the longest-running and most successful music careers in the history of British pop music, with over 15 Top 40 singles in the United States alone and scores more in her native England and throughout the world. Though Clark's signature song was the plaintive No. 1 single "Downtown" (1965), she had been a fixture on British radio and film since the early 1940s, before enjoying a modest career as a teen singer in the 1950s. A move to France in 1960 established her as a more versatile talent before she broke worldwide with "Downtown" in the midst of the British Invasion. A string of hit singles, including "I Know a Place" and "Don't Sleep in the Subway" soon followed, as did her successful return to feature films with "Finian's Rainbow" (1968) and "Goodbye, Mr. Chips" (1969). In the 1970s, Clark shifted her attention to television and theater, where she drew rave reviews for performances in "The Sound of Music" and the 1983 Broadway run of "Blood Brothers." But her pop career continued to enchant and entertain new generations of listeners, as evidenced by new versions of "Downtown" in 1988 and 2011 that enjoyed placement in the U.K. Top 10. Clark's ebullient personality and winning way with an upbeat song preserved her status as one of England's most beloved pop performers.<p>Born Petula Sally Olwen Clark on Nov. 15, 1932 in the town of Epsom, Surrey, England, she was the daughter of hospital nurses Leslie Norman Clark and Doris Phillips. Though singing provided her with a pathway to fame, Clark desperately wanted to become an actress after seeing Flora Robson on stage in 1938. She made her public singing debut the following year at a department store in Kingston upon Thames, before bursting onto the scene with an impromptu rendition of the pop traditional "Mighty Lak' a Rose" at a BBC radio show at a theater in 1942. An air raid was announced shortly before broadcast, prompting the program's producers to request a song from the audience to calm the nerves of those in attendance. Nine-year-old Clark, who was at the show with her father, stepped up to sing for the assembled crowd, which gave an enthusiastic response. She was soon boosting public morale during wartime with her own radio program, "Pet's Parlour," while also singing for British troops alongside fellow child stars Julie Andrews and Anthony Newley.<p>By the midpoint of the decade, Clark had made her feature film debut as a lovable orphan girl in "Medal for the General" (1944), which led to juvenile roles in a number of minor British films, as well as one bona fide classic, Michael Powell and Emeric Pressburger's drama "I Know Where I'm Going!" (1945). Two years later, she met musician Joe "Mr. Piano" Anderson, who would become a guiding force in her life and career. He was instrumental in introducing her to producer Alan A. Freeman, who would oversee many of her earliest hits. With Clark's father, Freeman also created Polygon Records, which served as her personal label while also granting Leslie Clark greater control over his daughter's career and finances. By 1954, Clark was scoring substantial hits on the U.K. pop singles chart, including "The Little Shoemaker," which also granted her a No. 1 single in Australia, as well as "Suddenly There's a Valley" and "With All My Heart." In 1955, Polygon was sold to Pye Records, which would become her label for the next two decades. She continued to chart with innocuous pop hits for the next two years, but by the end of the decade, Clark had tired of her status as a teen pop star. She also felt hemmed in by intense public speculation about her relationship with Henderson, which had become a romantic partnership. However, Clark's desire to take greater control of her career, combined with Henderson's reluctance to be regarded as "Mr. Petula Clark," led to the end of their personal relationship, though they continued to work together for several years.<P>In 1957, Clark traveled to France, where she met publicist Claude Woolf, who proposed that she record in French with the Vogue Records label. The move quickly established her as a star throughout Europe on the strength of more sophisticated pop songs like "Ya Ya Twist" and "Chariot," which she sung in French and later Italian and German. As her profile began to rise on the Continent, so too did her profile in the U.K., where she scored her first No. 1 hit with the 1961 single "Sailor," the same year she married Woolf in ceremonies in England and France. She soon added composing for film scores to her growing list of credits with the 1964 crime film "A Couteaux Tirés" ("Daggers Drawn"), but her greatest success would come that year when she teamed with composer-arranger Tony Hatch to record new material. He played her a fragment of an incomplete song that captured her attention, which, with the addition of Hatch's lyrics, became "Downtown." The song became an international smash, thanks in part to the rise of the British Invasion, which had overtaken the music industry throughout the world. Most importantly, it provided her with entry into the American pop market, where it reached the top of the <i>Billboard</i> Hot 100 in January of 1965 before capturing the Grammy for Best Rock and Roll Song that same year.<p>"Downtown" also became the first of 15 Top 40 hits for Clark in the U.S., including a second No. 1 with "My Love" (1965) and the Top 5 tunes "I Know a Place" (1965), which brought her a second Grammy, as well as "This is My Song" (1967) and "Don't Sleep in the Subway" (1967). She also hosted her own short-lived variety series, "This is Petula Clark" (BBC, 1966) before landing a TV special called "Petula" (NBC) in America in 1968 that inadvertently landed her in the history books. While singing a duet with African-American performer Harry Belafonte, she took his arm in a move that upset its corporate sponsor, the Chrysler Corporation, which feared that the gesture would upset Southern viewers. Clark and Woolf, who served as executive producer for the show, not only refused to substitute a different take but also destroyed all of the alternate takes, forcing the network to accept the original footage. The special aired without controversy and to high ratings and critical acclaim. Clark also resumed her film career that year with Francis Ford Coppola's adaptation of the stage musical "Finian's Rainbow" (1968), which earned her a Golden Globe nomination, while her next film, a musical version of "Goodbye, Mr. Chips" (1969), reaped two Oscar nominations and a Golden Globe for her co-star, Peter O'Toole.<P>Clark's pop career in the United States began to wane in the 1970s, though singles like "I Don't Know How to Love Him" (1972) from the hit musical "Jesus Christ Superstar" and "The Wedding Song (There Is Love)" (1972) continued to find placement on the U.K. pop chart as well as the American adult contemporary chart. She subsequently found greater exposure through television and radio ads for major corporations like Coca-Cola, Chrysler and Plymouth, as well as a second BBC series, "The Sound of Petula" (1972-74). Clark also found great acclaim as a theater actress, winning the praise of Maria von Trapp herself in a 1981 production of "The Sound of Music" in London's West End. The show, which set the record for the largest advance ticket sales in British theater history, ran for over a year, and led to more high-profile stage roles, including a 1983 turn in the title role in George Bernard Shaw's "Candida." The end of the 1980s was also marked by Clark's return to the U.K. singles charts for the first time since 1972 with a 1988 dance remix of "Downtown" with Dutch producer Eddy Ouwens.<p>In the 1990s, Clark made her Broadway debut in "Blood Brothers" (1994), and then toured the world in a one-woman show she wrote about her life and career. Between starring roles in both the West End and American touring productions of "Sunset Boulevard," Clark was also appointed Commander of the Order of the British Empire in 1998. She also continued to record in the decades that followed, including 2007's <i>Sunshine and Solitude</i>, which featured all new songs written by Rod McKuen, while also giving concerts around the globe. Her association with "Downtown" continued in 2011 when the Saw Doctors released a version of the song with Clark that reached No. 2 on the Irish singles chart. In 2013, the 80-year-old singer enjoyed her biggest album chart placement in decades with <i>Lost in You</i> , which featured a new single, "Cut Copy Me," which enjoyed a lengthy run on the Belgian singles chart, as well as a cover of Gnarls Barkley's "Crazy." The album earned positive reviews and debuted at No. 24 on the U.K. albums chart in March of that year. <p><i>By Paul Gaita</i>


Kate Wolff


Patrick Wolff


Claude Wolff

married in June 1961 she and her husband have what Clark terms "an open marriage"

Barra Wolff

had a well-publicized addiction to heroin in the 1980s later married and had two children



Debuted one-woman autobiographical show in Canada called "Petula Clark: This Is My Song"; show eventually filmed and aired in USA on PBS in 2001


Assumed the role of Norma Desmond in the London stage musical "Sunset Boulevard"; later toured in the part until 1997


Made Broadway debut in "Blood Brothers"; also toured in the show


Starred in the London musical "Someone Like You"


Played rare non-musical stage part in the title role of "Candida"


Last feature (to date) "Never Never Land"


Appeared in film "Never Never Land"


Headlined the British TV variety series "The Sound of Petula"


Third US TV variety special "Petula" (ABC)


Co-starred with Peter O'Toole in the musicalized remake of "Goodbye, Mr. Chips"


Made second NBC special "Portrait of Petula"


Moved to Geneva, Switzerland


Hosted own special, "Petula" on NBC; created uproar when she touched Harry Belafonte's arm on national TV


Was featured in the Francis Ford Coppola-directed musical film "Finian's Rainbow"


Starred in BBC variety series "This Is Petula Clark"


Debuted as Las Vegas headliner


Appeared as a guest on "Shindig!" (ABC), singing hit single "Downtown"


Became international sensation singing "Downtown"


Sang at the Olympia Theatre in France


Made American TV debut in a rare dramatic role in an episode of the ABC series "The Vice"


Acted on stage in "The Constant Nymph"


Gave Alec Guinness his first screen kiss in "The Promoter/The Card"


Acted in the British feature "Dance Hall"


Debut as recording artist with "Music, Music, Music"


Was featured in the comedy film "Here Come the Huggetts"; appeared in two 1949 sequels, "The Huggetts Abroad" and "Vote for Huggett"


First motion picture musical, "London Town/There Goes My Heart"


Made film acting debut, "A Medal for the General"


First performed on radio at age eight; went on to entertain British troops fighting in WWI

Put under contract by the Rank Organization

Appeared on an experimental British TV program in the 1940s

Had lead in the British production of the musical "Someone Like You"

Headlined a London revival of "The Sound of Music"

Settled in France and began making records and nightclub appearances

Reprised the role of Norma Desmond in the American tour of "Sunset Boulevard"

Bonus Trivia


Made a Commander of the British Empire in 1997.


On the reaction of the British press to her 1961 marriage to Frenchman Claude Wolff, Petula Clark told The Guardian (February 20, 2002): "Oh, they didn't want sexiness. Sex was definitely out. My God! Our Pet's married a foreigner and a Frenchman what's more. Don't even go there! ... our Pet was sexless or asexual anyway."


"I have different homes. I suppose London is my slippers- type home - I feel comfortable here. Paris is more of a spiritual home. And New York is the buzz. I enjoy the competition and toughness of New York. It's like the song - if you can make it there, you can make it anywhere - and New York has always been great to me. And Geneva is a wonderful place to put your feet up and listen to ... the silence." --Clark to The Guardian, February 20, 2002.