Tanya Roberts

Actor, Model, Dance instructor
A former Bond girl and "Charlie's Angel" who was typecast for her physical attributes, actress Tanya Roberts became something of a cult icon thanks to feature roles in "The Beastmaster" (1982) and "Sheena: Queen of the ... Read more »
Born: 10/15/1955 in Bronx, New York, USA


Actor (31)

Eve 2005 (Tv Show)


That '70s Show 1997 - 2001, 2004 (Tv Show)


Inside TV Land 1999 - 2002 (TV Show)


Off Centre 2002 (Tv Show)


Burke's Law 1993 - 1994, 1997 - 2001 (Tv Show)


Investigating Tarzan 1996 - 1997 (TV Show)


Hot Line 2 1995 (Movie)


Deep Down 1994 (Movie)


Sins of Desire 1992 (Movie)

Kay (Actor)

Almost Pregnant 1991 (Movie)

Linda (Actor)

Inner Sanctum 1991 (Movie)

Lynn Foster (Actor)

Legal Tender 1991 (Movie)

Rikki Rennick (Actor)

Night Eyes 1990 (Movie)

Nikki (Actor)

Purgatory 1989 (Movie)

Carly Arnold (Actor)

Body Slam 1987 (Movie)

Candace Van Der Vegen (Actor)

A View to a Kill 1985 (Movie)

Stacey Sutton (Actor)

Sheena 1984 (Movie)

Sheena (Actor)

I Paladini Storia d'Armi e d'Amori 1982 (Movie)

Isabella (Actor)

Le Armi e Gli Amori 1982 (Movie)


The Beastmaster 1982 (Movie)

Kiri (Actor)

Charlie's Angels 1976 - 1981 (TV Show)


California Dreaming 1979 (Movie)

Stephanie (Actor)

Tourist Trap 1979 (Movie)

Becky (Actor)

Fingers 1978 (Movie)

Julia (Actor)

The Private Files of J. Edgar Hoover 1977 (Movie)

Stewardess (Actor)

Forced Entry 1974 (Movie)


Pleasure Cove (TV Show)


Waikiki (TV Show)


Zuma Beach (TV Show)



A former Bond girl and "Charlie's Angel" who was typecast for her physical attributes, actress Tanya Roberts became something of a cult icon thanks to feature roles in "The Beastmaster" (1982) and "Sheena: Queen of the Jungle" (1984), only to relegate herself to erotic thrillers that bordered on soft-core pornography in the early 1990s. Throaty and lithe, Roberts exuded a sexuality that was innate and allowed her to land roles as superficial characters in a variety of low-budget films and television movies, before she hit her stride by taking over for Shelley Hack on the popular "Charlie's Angels" (CBS, 1976-1981) for its final season. Despite her likeability, the iconic show hit a low point in the ratings and was summarily canceled. Undeterred, Roberts gained cult status in "The Beastmaster" and "Sheena," before landing what could have been a career-altering role as the Bond girl in "A View to a Kill" (1985). Unfortunately, the last 007 movie starring an aging Roger Moore was considered one of his worst and Roberts was criticized for her character's lack of depth. By the late 1980s, she began treading water in steamy thrillers like "Night Eyes" (1990) and Deep Down" (1994), before she surged once again as the foxy, free-thinking mom Midge Pinciotti on "That '70s Show" (Fox, 1998-2006). Though she had to leave due to her husband's terminal illness, Roberts proved that she was capable of delivering a quality performance on a critically acclaimed project.

Born on Oct. 15, 1955 in the Bronx, NY, Roberts lived for a while in Toronto with her mother after her parents divorced when she was a teenager. Roberts began her career when she was 17, paying her way by appearing in commercials while studying under such notable acting tutors as Uta Hagen and Lee Strasberg. In the early 1970s, she appeared on stage in productions of "Antigone," "Picnic," "Bus Stop" and "Born Yesterday," before making her onscreen debut in the low-budget horror thriller "Forced Entry" (1975). Following a turn in the comedy "The Yum-Yum Girls" (1976), Roberts moved with husband Barry Roberts from New York so both could pursue careers in Hollywood. She found work in pilots and unremarkable features, landing small parts in movies "The Private Files of J. Edgar Hoover" (1977) and "Fingers" (1977), as well as TV movies such as "Zuma Beach" (ABC, 1978) and "Pleasure Cove" (NBC, 1979).

After appearing on the drama "Waikiki" (ABC, 1980) and the two-hour special "Vega$" (1980), Roberts landed her breakthrough role as the sexy, but street tough Julie Rogers on the classic crime drama "Charlie's Angels" (ABC, 1976-1981) after a nationwide search for the perfect fit. An Aaron Spelling production that was as much a showcase of the detective's good looks and fashion sense as their crime-solving skills, the "Charlie's Angels" team consisted of three beautiful women working as private investigators for the mysterious, never-seen Charlie (voiced by John Forsythe). By the time Roberts joined the show in its fifth and ultimately final season, the Angels had already gone through a number of replacements. The popular Farrah Fawcett left after the first season and was replaced by Cheryl Ladd; Kate Jackson departed following season three and was briefly replaced by Shelley Hack. Roberts took over for Hack, joining Ladd and Jaclyn Smith and returning the show to its original look, one blonde and two brunettes. Billed as a savior for the show's flagging ratings, Roberts - though likeable to audiences - was unable to rescue the series, and "Charlie's Angels" was finally canceled following season five.

Despite the lack of accolades, Roberts' role - to say nothing of her curves - on "Charlie's Angels" certainly won her notice and was followed by a leading performance in the popular horror feature, "The Beastmaster" (1982), in which she played the beautiful slave girl, Kiri, opposite Marc Singer's titular hero. Coupled with a nude pictorial of Roberts in a 1982 issue of Playboy, "The Beastmaster" was a modest box office success and lived on as something of a cult classic. After appearing in the Italian-made fantasy adventure, "Hearts and Armour" (1983), she was Mike Hammer's busty secretary in the TV movie "Murder Me, Murder You" (CBS, 1984), starring Stacy Keach as the hard-boiled detective. Roberts turned down the opportunity to continue playing the role on the series and instead cemented her cult status with her starring role as the titular "Sheena: Queen of the Jungle" (1984), in which a scantily clad Roberts played a female version of Tarzan. Critics savaged the movie and her acting abilities, which led to the unfortunate consequence of being typecast for her physical assets.

In 1985, Roberts graduated to Bond girl when she was cast opposite Roger Moore in his last outing as 007, "A View to a Kill." While being chosen for such an iconic role should have been a boost for her career, the character of Stacey Sutton was certainly not the most interesting nor brightest of the bunch, not to mention she had the misfortune of being seen opposite an obviously aged Moore in what many felt was his worst Bond film. Adding insult to injury, Roberts was overshadowed by the performance of Christopher Walken as Max Zorin - ironically considered one of the better Bond villains - and the wildly androgynous Grace Jones as his henchwoman. From there, Roberts co-starred opposite Dirk Benedict in the forgettable action comedy set in the world of professional wrestling, "Body Slam" (1987), and had a supporting turn in the futuristic B-actioner "Twisted Justice" (1989). Never one to shy away from steamy material, Roberts embarked on a series of erotic thrillers like "Night Eyes" (1990), "Legal Tender" (1990), "Inner Sanctum" (1991), "Sins of Desire" (1992) and "Deep Down" (1994).

The frequent appearances in soft-core late-night cable fare threatened Roberts with a Shannon Tweed-like career trajectory, but she managed to pull herself out with guest roles on TV shows like "Burke's Law" (CBS, 1993-95). A few years later, she landed a plumb regular role on the popular sitcom, "That '70s Show" (Fox, 1998-2006), playing Midge Pinciotti, the naive but forward-thinking bombshell mom of redheaded tomboy, Donna (Laura Prepon). Roberts' Midge was an example of the show's worthy effort to show multifaceted adults as well as teenage characters, with her skillful portrayal being appropriately over-the-top and making her character delightfully zany, endearing and sympathetic. But just as her career seemed to be back on track, Roberts' husband, Barry Roberts, whom she married in 1974, became terminally ill in 2001. Roberts was forced to leave the show and care for her spouse, who died in 2006. Though she made guest appearances on shows like "Eve" (UPN, 2003-06) and "Barbershop" (Showtime, 2005), Roberts remained largely inactive in her career.

By Shawn Dwyer


Barry Roberts Associate Producer

Married 1974 until his death 2006


studied acting with Lee Strasberg and with Uta Hagen

dropped out of high school at age 15



Played forward-thinking mom Midge Pinciotti on "That 70s Show" (Fox)


Played herself in a segment of the Showtime TV-movie "National Lampoon's Favorite Deadly Sins"


Guest starred on an episode of the mystery remake TV series "Burke's Law"


Starred in the direct-to-video release "Almost Pregnant", directed by Michael DeLuise


Starred as a sexy nurse with a shady past in the erotic thriller "Inner Sanctum"


Played a poker dealer on the run in the direct-to-video release "Legal Tender", written by husband Barry Roberts


Was Bond girl Stacey Sutton in Roger Moore's final entry "A View to a Kill"


Starred as "Sheena", queen of the jungle


Posed nude for PLAYBOY magazine


Had a starring role in the horror feature "The Beastmaster"


Played Julie Rogers, one of the replacement "Charlie's Angels" in the fashion-conscious ABC police drama's final season


Featured in the ABC detective drama TV-movie "Waikiki"


Appeared in a special two-hour episode of the crime drama "Vega$"


Appeared in the romantic comedy TV-movie "Pleasure Cove" (NBC)


Acted in the NBC TV-movie comedy "Zuma Beach"


Played a stewardess in "The Private Files of J. Edgar Hoover" and appeared in James Toback's "Fingers"


Starred in the thriller "Forced Entry"


At age 17, began appearing in television commercials (date approximate)

Appeared onstage in productions including "Antigone", "Picnic", "Bus Stop" and "Born Yesterday"

Moved from NYC to Hollywood

Appeared in several direct-to-video releases

Bonus Trivia


"Having been a Bond girl was never a stigma for me. Once you've been typecast as a Charlie's Angel, you're set for life." --Tanya Roberts to Empire, December 1999


Roberts on her feature film past, typecasting, and returning to series television: "I've played in a lot of crummy movies. In this business, they see women in terms of sexual and nonsexual, which is pathetic. When you get the sexual roles, they think that's all you can do . . . "I wanted to go back to TV, where there are more roles for women of all ages. I wanted to do a sitcom."['That 70's Show'] is the stability I've been looking for since 'Charlie's Angels'. Also, it's a chance to prove I can do comedy--and something other than those crummy movies." --quoted to USA TodaY, July 12, 1999