As one of America's premier 20th century playwrights, Tennessee Williams restored poetry to the stage in the midst of a post-World War II surge of realism, sensitively peopling his plays with outsiders at odds with the mob rule that passes for civilization, while also delving into the darker realms of human nature that reflected his own instability. After kicking around the South and putting on local productions, Williams made a major splash in the Big Apple with "The Glass Menagerie" (1945), which announced his arrival as promising Broadway talent. He cemented his place as a giant among men with "A Streetcar Named Desire" (1947), which earned him the Pulitzer Prize in Drama. Both plays were made into Hollywood movies, though "Streetcar" was better remembered for Marlon Brando's exquisite performance as the brutish Stanley Kowalski. Williams earned a Tony Award for "The Rose Tattoo" (1951) and won his second Pulitzer for "Cat on a Hot Tin Roof" (1955), which was turned into an acclaimed 1958 movie starring Paul Newman and Elizabeth Taylor. From there, his career hit a long downward skid, brought about by years of battling depression with alcohol and prescription drugs. Williams had a minor success with "The Night of the Iguana" (1961), which became a Richard Burton-Ava Gardner film in 1964, but by and large he slipped further into critical decline by this time. Regardless of his personal struggles, Williams remained one of America's most revered playwrights whose reputation only magnified in the years following his death.