Victor Milner

Director of photography, Lab assistant, Projectionist
Newsreel cameraman from 1913 to 1918, when he arrived in Hollywood and began working as an assistant photographer. Milner went on to become one of Hollywood's foremost cinematographers of the 1930s through the 40s ... Read more »
Born: 12/15/1893 in New York City, New York, USA

Filmography

Camera, Film, & Tape (62)

Jeopardy 1953 (Movie)

(Director of Photography)

My Favorite Spy 1951 (Movie)

(Director of Photography)

Unfaithfully Yours 1948 (Movie)

(Photography)

The Strange Love of Martha Ivers 1946 (Movie)

(Photography)

The Great Moment 1943 (Movie)

(Director of Photography)

The Princess and the Pirate 1943 (Movie)

(Director of Photography)

The Story of Dr. Wassell 1943 (Movie)

(Photography)

Reap the Wild Wind 1941 (Movie)

(Director of Photography)

The Lady Eve 1941 (Movie)

(Director of Photography)

The Palm Beach Story 1941 (Movie)

(Photography)

Christmas in July 1939 (Movie)

(Photography)

The Great Victor Herbert 1938 (Movie)

(Photography)

Union Pacific 1938 (Movie)

(Photography)

College Swing 1937 (Movie)

(Director of Photography)

Give Me a Sailor 1937 (Movie)

(Director of Photography)

Hunted Men 1937 (Movie)

(Director of Photography)

The Buccaneer 1937 (Movie)

(Director of Photography)

Artists and Models 1936 (Movie)

(Photography)

The Plainsman 1936 (Movie)

(Director of Photography)

Desire 1935 (Movie)

(Photography)

The General Died at Dawn 1935 (Movie)

(Photography)

Cleopatra 1934 (Movie)

(Cinematographer)

The Crusades 1934 (Movie)

(Photography)

The Gilded Lily 1934 (Movie)

(Director of Photography)

Song of Songs 1932 (Movie)

(Photography)

Love Me Tonight 1931 (Movie)

(Photography)

One Hour With You 1931 (Movie)

(Photography)

This Is the Night 1931 (Movie)

(Photography)

Trouble in Paradise 1931 (Movie)

(Director of Photography)

Love's of an Actress 1927 (Movie)

(Photography)

Blonde or Brunette 1926 (Movie)

(Photography)

The Way of All Flesh 1926 (Movie)

(Director of Photography)

Broken Lullaby (Movie)

(Cinematographer)

Children of Divorce (Movie)

(Cinematographer)

Daughter of the Dragon (Movie)

(Cinematographer)

Design for Living (Movie)

(Cinematographer)

High, Wide and Handsome (Movie)

(Cinematographer)

I Take This Woman (Movie)

(Cinematographer)

Kid Boots (Movie)

(Cinematographer)

Ladies' Man (Movie)

(Cinematographer)

Let's Go Native (Movie)

(Cinematographer)

Luxury Liner (Movie)

(Cinematographer)

Man Who Lost Himself (Movie)

(Cinematographer)

Man of the World (Movie)

(Cinematographer)

My Life with Caroline (Movie)

(Cinematographer)

No Limit (Movie)

(Cinematographer)

Northwest Mounted Police (Movie)

(Cinematographer)

One Sunday Afternoon (Movie)

(Cinematographer)

Paramount on Parade (Movie)

(Cinematographer)

Rolled Stockings (Movie)

(Cinematographer)

September Affair (Movie)

(Cinematographer)

Sins of the Fathers (Movie)

(Cinematographer)

The Cat's Pajamas (Movie)

(Cinematographer)

The Furies (Movie)

(Cinematographer)

The Love Parade (Movie)

(Cinematographer)

The Marriage Playground (Movie)

(Cinematographer)

The Monster and the Girl (Movie)

(Cinematographer)

The Other Love (Movie)

(Cinematographer)

Till We Meet Again (Movie)

(Cinematographer)

True to the Navy (Movie)

(Cinematographer)

What a Life (Movie)

(Cinematographer)

You Were Meant for Me (Movie)

(Cinematographer)

Biography

Newsreel cameraman from 1913 to 1918, when he arrived in Hollywood and began working as an assistant photographer. Milner went on to become one of Hollywood's foremost cinematographers of the 1930s through the 40s, mostly with Paramount. He enjoyed a fruitful multi-film association with directors Ernst Lubitsch, Henry King, Raoul Walsh and C.B. DeMille.

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