One of the more successful and prolific filmmakers to emerge from the New German Cinema movement, iconoclastic director Wim Wenders continually walked the line between art house aesthetic and commercial appeal with his vast body of work. Stark early efforts, such as the nihilistic "The Goalie's Anxiety at the Penalty Kick" (1972) and road movies like "Alice in the Cities" (1974), led to more focused works along the lines of "The American Friend" (1977). Having gained international notoriety, Wenders indulged his fascination with Americana in the acclaimed "Paris, Texas" (1984) then returned to Berlin for his beloved fantasy-drama "Wings of Desire" (1987). He also broadened the scope of his artistic pursuits with forays into music video and television commercial directing, photographic exhibitions, authoring several essay collections and more. While later dramatic indulgences along the lines of "Until the End of the World" (1991) and "Faraway, So Close!" (1993), were viewed as less cogent works, the filmmaker nonetheless displayed his remarkable acumen with music documentaries like "Buena Vista Social Club" (1999). With "Don't Come Knocking" (2005) he returned to the well for another American road movie with "Paris, Texas" collaborator Sam Shepard, while the audacious 3-D dance documentary "Pina" (2011) proved the director still capable of pushing boundaries. Boasting a career that spanned more than 40 years and included over 50 highly personal, yet largely accessible films, Wenders was easily one of his generation's most appreciated independent filmmakers.