Busch's adaptation of Guy Bolton and Eddie Davis' book for a new production of the 1955 musical "Ankles Aweigh" at the Goodspeed Opera House in 1988 was the first thing he had written but not performed in. He was, however, onstage that year fully quaffed in red Rita Hayworth hair and gowned a la Norma Shearer in his latest celebration of Hollywood kitsch, "The Lady in Question", a well-paced parody of MGM's wartime potboilers of the 40s. He began diversifying his talents after his subversively hilarious 1991 play, "Red Scare on Sunset", in which he portrayed a well-meaning Pollyanna of a Hollywood star who names names at the McCarthy hearings of the 50s. Following his appearance as Countess Aphasia du Barry in "Addams Family Values" (1993), Busch uncharacteristically took a man's role in Andrew Bergman's feature "It Could Happen to You" (1994). Further surprising his following, he not only essayed a gay man in "You Should Be So Lucky" (1995) but also injected Jewish humor, as well as gay humor, into the play.
Busch continued expanding artistically, co-authoring and appearing in the Off-Broadway musical "Swingtime Canteen" (1996) and collaborating with composer-lyricist Rusty McGee on the Off-Broadway musical "The Green Heart" (1997), in which he did not act. Having performed one-man shows in the 70s ("Charles Busch Alone with a Cast of Thousands", "Hollywood Confidential"), he once again soloed in "Flipping My Wig" (subtitled "An Evening with Charles Busch) and played the resident, fortune-telling drag queen in the feature "Trouble on the Corner" (both 1997). The busy year also saw him conceive "Queen Amarantha" as part homage to his lifelong idol Sarah Bernhardt and part spoof of Garbo movies. Rejecting his usual camp style, he successfully addressed a serious subject ending in tragedy while portraying a drag actor playing a gender-confused woman who dresses as a man. The sustained sleight of hand recalled the moment in "The Lady in Question" when Gertrude appeared in Dietrichesque blazer and pants ready to go riding.
Busch scripted his most accessible play yet, "The Tale of the Allergist's Wife" (2000), for Linda Lavin to star as an anguished middle-aged Jewish wife and mother whose spirits temporarily lift when the glamorous Michele Lee, a past acquaintance, materializes on her doorstep. The show's move to Broadway marked Busch's debut on the Great White Way, and though he was not performing any of the parts, one can only imagine him substituting for either Lavin or Lee and giving such a nuanced and believable performance that the audience would soon forget they were watching a man play a woman. Too old to reprise the starring role of Chicklet in the film version of "Psycho Beach Party", Busch contented himself with the adult femme roles of Captain Monica Stark and Mrs. Forrest. For the small screen, he has enjoyed a recurring part (since 1999) as the inmate who suffocated Italian mob boss Antonio Nappa on HBO's "Oz", and he also published a novel, "Whores of Lost Atlantis", inspired by his early days in NYC's East Village.