DIED
July 16, 1978

PROFESSIONS
Screenwriter
SOMETIMES CREDITED AS
BIOGRAPHY
Like so many people who entered the American entertainment industry at the turn of the century, Howard Estabrook trained himself to be a jack-of-all-trades. At various junctures he was an actor, stage director, film director, and playwright before zeroing in on a long screenwriting career. Estabrook entered films in 1914 as an action player in such fast-moving epics as Officer....
Like so many people who entered the American entertainment industry at the turn of the century, Howard Estabrook trained himself to be a jack-of-all-trades. At various junctures he was an actor, stage director, film director, and playwright before zeroing in on a long screenwriting career. Estabrook entered films in 1914 as an action player in such fast-moving epics as Officer 666 (1914) and The Mysteries of Myra (1916). He had the strong-chinned good looks of a college sports hero and was a reasonably persuasive actor, but he soon found more satisfaction in writing scripts than in reading them. Estabrook's writing skills were well-represented for over three decades, from 1928's Port of Missing Girls to 1959's The Big Fisherman. He won an Academy award for his work on the 1931 western Cimarron; he also occasionally functioned as a producer at Paramount. In 1944, Howard Estabrook returned to directing for the medium-budget Heavenly Days (1944), which some fans consider the best film-vehicle of the popular radio team Fibber McGee and Molly.

~ Hal Erickson, All Movie Guide


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