With his brother David, Albert Maysles became one of the chief exponents of the "direct cinema" school of documentary filmmaking. The brothers began working as a team in 1957, each having previously been involved in film in very different ways--Albert making a documentary on Soviet mental institutions and David working as production assistant on two Marilyn Monroe movies. The Maysles brothers designed their own portable equipment to help in their goal of capturing the raw, spontaneous flow of experience, without intruding into the situations being filmed and were influenced by Robert Drew and Richard Leacock, with whom they had worked on "Primary" (1960).Born and raised in Massachusetts, this son of Russian Jewish immigrants developed a childhood interest in photography. After receiving his MA in psychology, Maysles traveled to Russia and shot photographs inside mental hospitals. Although he was unsuccessful in selling those pictures, he did manage to obtain a movie camera from CBS the following year and on a return visit shot his first documentary "Psychiatry in Russia" (1955). While no network would touch the finished product, he did find an outlet at Boston's public television station WGBH which aired the documentary. He and his brother David shot footage of a student revolt in Poland which aired on NBC in 1957. Shortly thereafter, the brothers met Pennebaker who in turn introduced them to Drew and Leacock.
After "Primary", the Maysles were selected by Grenada Television to shoot the US arrival of a new rock'n'roll band, resulting in "What's Happening! The Beatles in the USA" (1964). Although there was interest in studio distribution, the band's contract to make "A Hard Day's Night" precluded any widespread showings. CBS purchased a shortened version and aired it with narration provided by Carol Burnett. Often collaborating with Charlotte Zwerin, the Maysles brothers produced one of their best-known works in 1968. "Salesman", a look at door-to-door bible sellers in Boston, which for various reasons also did not gain widespread exposure until a 1994 airing on PBS. "Gimme Shelter" (1970), on the other hand, garnered much controversy. This record of a Rolling Stones concert stirred much debate over its capturing of the knifing death of one of the concertgoers. The moral issues raised by the filmmaker's "detached observer" status were hotly debated. A similar fate befell "Grey Gardens" (1976), their portrait of the Beales, a mother-daughter living in seclusion in a rundown East Hampton mansion. A pathetic but human look at two women who share their living space with a multitude of felines, the film is a fascinating depiction of co-dependence and resentment with particular emphasis on the mother-daughter dynamic. At the time of its release, "Grey Gardens" divided critics, some of whom praised it as one of the year's best films while others found it tasteless and exploitative.
The brothers received their sole Oscar nomination in 1973 for the first of several collaborations with the artist Christo. "Christo's Valley Curtain" (1973) explored the artist's hanging a nine-ton orange nylon fabric in Rifle Gap, Colorado which was destroyed by nature after a day. Without explaining the why of Christo, the film documents the project. Similarly, the others in the series "Running Fence" (1978), "Islands" (1986), "Christo in Paris" (1990) and "Umbrellas" (1995) all merely show the artist at work.
In the 1980s, Maysles turned his attentions to profiling classical musicians like Seiji Ozawa and Vladimir Horowitz. After David's death in 1987, he partnered with Susan Froemke and embarked on a series of made-for-cable documentaries, including "Abortion: Desperate Choices" (HBO, 1992) and "Letting Go: A Hospice Journey" (HBO, 1996). More recently, he chronicled the development of the Los Angeles Center in "Concert of Wills: Making the Getty Center" (1997).
Profession(s):
producer, director, documentarian, cameraman, director of photography, professor of psychology, salesman
Sometimes Credited As:
Albert H Maysles
Sundance Film Festival Award Excellence in Cinematography (Documentary) "LaLee's Kin: The Legacy of Cotton" 2001
American Society of Cinematographers President's Award 1998
CableACE Award Directing, Documentary Special "Letting Go: A Hospice Journey" 1996
International Documentary Association Award Career Achievement 1994
CableACE Award Documentary Special "Abortion: Desperate Choices: America Undercover" 1992
CableACE Award Directing, Documentary Special "Abortion: Desperate Choices: America Undercover" 1992
Emmy Award Outstanding Individual Achievement in Informational Programming - Directing "Soldiers of Music: Rostropovich Returns to Russia" 1991
International Documentary Association Award Distinguished Achievement "Soldiers of Music: Rostropovich Returns to Russia" 1991
Sundance Film Festival Award Excellence in Cinematography (Documentary) "Christo in Paris" 1991
Emmy Award Outstanding Individual Achievement in Classical Music/Dance Programming "Vladimir Horowitz: The Last Romantic" 1987
2008 Joined Martin Scorsese to directed "Shine a Light"; the film documented two 2006 performances that took place during rock and roll band The Rolling Stones' A Bigger Bang tour
2007 With Antonio Ferrera, documented a site-specific art installation by Christo and Jeanne-Claude, "The Gates" in NYC
2005 Founded the Maysles Institute, a nonprofit organization that provides training and apprenticeships to underprivileged individuals
2001 With Froemke and Deborah Dickson, filmed "LaLee's Kin: The Legacy of Cotton"; premiered at Sundance before airing on HBO
2001 Profiled directors Martin Scorsese, Wes Anderson, Robert Duvall and Jane Campion in the TV specials "With the Filmmaker: Portraits by Albert Maysles" (PBS)
1997 Co-directed with Susan Froemke and Bob Eisenhardt the documentary "Concert of Wills: Making the Getty Center"
1996 Produced, shot and co-directed the award-winning HBO documentary "Letting Go: A Hospice Journey"
1994 Filmed "Conversations With the Rolling Stones" (broadcast on VH-1)
1992 Co-directed (also produced) the award-winning HBO documentary "Abortion: Desperate Choices"
1990 Last feature collaboration with brother David, "Christo in Paris"; released three years after David's death
1974 Worked as cinematographer on Leon Gast's documentary "When We Were Kings" about the Muhammed Ali and George Forman 'Rumble in the Jungle'; film not released until 1996
1973 Shared Academy Award nomination for "Christo's Valley Curtain"; also first of several film collaborations with the artist Christo
1970 Garnered widespread acclaim for "Gimme Shelter" chronicling the Rolling Stones' 1969 US tour
1969 Co-directed with brother and Charlotte Zwerin, "Salesman" a portrait of bible sellers in Boston; withheld from audiences for 25 years; finally aired on PBS' "POV" in 1994
1964 Helmed the documentary short "What's Happening! The Beatles in America"; never released theatrically; aired instead on CBS with narration by Carol Burnett
1964 Photographed Godard's segment ("Montparnasse et Levallois") of omnibus feature, "Paris vu par/Six in Paris"
1962 First Maysles Brothers collaboration with Charlotte Zwerin, "Showman"; also first Maysles Films Inc. production
1960 Co-directed an examination of the Democratic campaign for president "Primary"
1959 Co-shot D.A. Pennebaker's "Opening in Moscow"
1957 First film made with brother David, "Youth of Poland"
1955 First film (made solo), "Psychiatry in Russia"; aired on WGBH the public television station in Boston
1955 Went to USSR to study mental health care; began making films
1952 - 1955 Taught psychology at Boston University
In early 1980s, worked on film profiles of musicians Seiji Ozawa and Vladimir Horowitz; earned Emmy Award for "Vladimir Horowitz: The Last Romantic"
Raised in Brookline, Massachusetts
At age seven, purchased first still camera
Worked as salesman
During WWII, served with Army tank corps; after discharge enrolled in college
With Pennebaker, Richard Leacock and David Maysles, became member of Drew Associates (founded by Robert Drew)
Formed Maysles Films, Inc.