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Before moving into the film world Bridget Johnson edited the Journal of the Los Angeles Institute of Contemporary Art and then became editor of publications for the then-fledgling Museum of Contemporary Art (MOCA). She joined TriStar Pictures in 1983 as a story analyst, eventually rising to the position of vice president of production. In 1989, Johnson moved to the Touchstone Pictures division of Walt Disney Studios where she eventually rose to the post of senior vice president of production....
Full Bio , Awards & Milestones

Filmography

Bumped - ( Producer / / Announced / )
Grasping the Sparrow's Tail - ( Producer / / Announced / )
I'm A Tiger - ( Producer / / Announced / )
Meet John Trow - ( Producer / / Announced / )
The Paisley Years - ( Producer / / Announced / )
Smart People - ( Producer / 2008 / Released / )
Ice Princess - ( Producer / 2005 / Released / )
Joy Ride - ( Executive Producer / 2001 / Released / )
Riding in Cars With Boys - ( Executive Producer / 2001 / Released / )
As Good As It Gets - ( Producer / 1997 / Released / )
Jerry Maguire - ( Executive / 1996 / Released / )
TV Credits
Full Biography (Back to top)

Before moving into the film world Bridget Johnson edited the Journal of the Los Angeles Institute of Contemporary Art and then became editor of publications for the then-fledgling Museum of Contemporary Art (MOCA). She joined TriStar Pictures in 1983 as a story analyst, eventually rising to the position of vice president of production. In 1989, Johnson moved to the Touchstone Pictures division of Walt Disney Studios where she eventually rose to the post of senior vice president of production. During her tenures at TriStar and Disney, she worked on the development and production of the comedies "Blind Date" (1987), "Look Who's Talking" (1989), "Father of the Bride" (1991) and its sequel "Father of the Bride, Part II" (1995). Johnson then accepted the post of president, motion pictures, at James L Brooks' Gracie Films, earning a credit on the Oscar-nominated "Jerry Maguire" (1996, as executive for Gracie Films) before teaming with Kristi Zea and Brooks on the latter's critically-praised "As Good As It Gets" (1997), a comedy-drama that teamed Jack Nicholson and Helen Hunt.

Profession(s):
producer, executive, story analyst, publications editor
Sometimes Credited As:
Awards (Back to top)
Golden Globe Award Best Motion Picture (Musical or Comedy) "As Good As It Gets" 1997
Golden Satellite Best Motion Picture (Musical or Comedy) "As Good As It Gets" 1997

Milestones (Back to top)
1997 With Brooks and Kristi Zea, served as producer of the Brooks-directed "As Good As It Gets"
1996 Received first feature credit as "executive for Gracie Films" on "Jerry Maguire"
1995 Moved to Gracie Films, the production company formed by James L Brooks; appointed president, motion pictures
1993 Promoted to senior vice president of production, Touchstone Pictures in March
1989 Moved to Disney where she served as vice president of production, Touchstone Pictures
1983 Joined TriStar Pictures as a story analyst, eventually rising to vice president of production
Edited the Journal of the Los Angeles Institute of Contemporary Art
Became editor of publications for the then-fledgling Museum of Contemporary Art (MOCA)

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