The only child of two professional dancers, Evans was born Linda Evanstad in Hartford, CT on Nov. 18, 1942. The family relocated to North Hollywood when she was six months old. Evans enjoyed a childhood among future stars, including fellow Hollywood High School classmate, Stephanie Powers. However, she suffered from extreme shyness during her teen years – so much so – that her principal suggested that she take acting classes to develop self-confidence. Ironically, she actually broke into show business shortly thereafter when, while accompanying a nervous classmate on an audition for a TV commercial, she was noticed by an ad agency director and invited to read for the spot. Evans landed the commercial and several others, which lead to acting roles on television and in film, beginning with a guest appearance on the comedy “Bachelor Father” (CBS/NBC/ABC, 1959-62), as a teen friend of cast member Noreen Corcoran, who develops a crush on her uncle – played by John Forsythe, who would be her on-screen husband 20 years later on “Dynasty.”

More television jobs followed, including repeat appearances on “The Adventure of Ozzie and Harriet” (ABC, 1952-66) and “The Untouchables” (ABC, 1959-63), before she made her film debut in the 1963 courtroom drama “Twilight of Honor” (1963), starring Richard Chamberlain. That same year, she signed a contract with MGM, but appeared mainly in features for other studios, including Disney’s “Those Calloways” (1965) and American International Pictures’ “Beach Blanket Bingo” (1965), in which she crooned two songs as a kidnapped pop singer.

That same year, she auditioned for, but failed to land an upcoming western feature, but the film’s producers offered her a role on a new western series, “The Big Valley,” which starred Hollywood legend Barbara Stanwyck. The young actress took the role, and at the same time, decided to drop the last syllable of her Scandinavian name in favor of something more Americanized. Thanks to the popular TV program, the newly christened Linda Evans became a star. Her new fame which helped hasten an introduction to an actor-turned-director/producer and photographer named John Derek, who had a major thing for blondes. He took Evans under his wing and essentially managed her career, directing her in a 1969 feature called “Childish Things” and photographing her for Playboy in 1971. The couple married in 1968, but divorced in 1974 when it was discovered that Derek had fallen for his latest discovery, a teenaged actress named Mary Catherine Collins that Derek had nicknamed Bo. Despite the circumstances, Evans and Derek and his new wife remained friendly for many years.

For nearly the next decade, Evans worked steadily in episodic television and TV features; she made a stab at returning to series work with the 1977 series “Hunter” (CBS) as a spy opposite James Franciscus, but the show lasted only three months. Film work proved consistent but equally unrewarding. Her features during that period include the Western “Standing Tall,” co-starring Robert Forster, with whom she had previously co-starred in the pilot for his series “Nakia,” (ABC, 1974); the espionage adventure “Avalanche Express” (1979); and one of Steve McQueen’s final films, “Tom Horn” (1980). Evans had also married again, this time to real estate tycoon Stan Herman in 1976, but the couple was divorced in 1981.

The year before, Evans had received a script for a pilot from legendary producer Aaron Spelling called simply, “Oil.” The series, which was later retitled “Dynasty,” ushered in the second and most successful phase of her acting career. As Krystle Carrington, wife to powerful oil magnate Blake Carrington (John Forsythe), Evans was at the center of the show’s high camp machinations, which frequently had her battling her devious family (especially Blake’s ex-wife, Alexis, played to the hilt by Joan Collins) and all manner of guest stars. Her strong character, coupled with her famous blonde – almost silvery – hair and fabulous Bob Mackie dresses, proved to many television viewers and critics that an actress could be sexy once she had reached her 40s – an unheard of idea at that time. For her efforts, Evans won a Golden Globe in 1982 and a People’s Choice Award in 1985, as well as earning a nomination for an Emmy in 1983. Taking advantage of her high profile status, she also became a popular spokesperson for the sugar-free beverage Crystal Light, beginning in 1984. After the iconic ‘80s series wrapped in 1989, Evans returned to play Krystle once again in a 1991 TV movie, “Dynasty: The Reunion,” which wrapped up many of the loose storylines.

Post-“Dynasty,” Evans made infrequent returns to television, appearing in two “Gambler” TV movie sequels with Kenny Rogers (“The Adventure Continues” in 1983 and “The Gambler Returns: The Luck of the Draw” in 1991), and was part of the massive cast for the 1986 mini-series “North and South: Book II.” In the last decade, she indulged her “Dynasty” fans by participating in sudsier projects like “Dazzle” (1995), a Judith Krantz adaptation which cast her as the matriarch of a wealthy family. 1997’s “The Stepsister” mined the same vein, but added a thriller wrinkle with a psychotic stepsister intruding on Evans’ character’s marriage. In 2005, Evans reunited once again with her “Dynasty” nemesis Joan Collins for the stage production, “Legends,” about two combative former movie stars. The show was slated for Broadway in 2006, marking Evans’ Great White Way debut.