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Began his film career at age 15 and graduated to director of photography in 1933. Although Krasner had shot nearly 90 films in nearly all genres before the end of WWII, it was in the post-war period that Krasner distinguished himself as a highly versatile cinematographer. He is best remembered for his neorealist-influenced, black-and-white work in the late 40s (especially the Fritz Lang's noir thrillers "The Woman in the Window" 1944 and "Scarlet Street" 1945 and the stark fight picture "The Set Up" 1949), the Bette Davis classic "All About Eve" (1950), and his glossy CinemaScope compositions--particularly his collaborations with Vincente Minnelli--in the mid-50s....

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Filmography

Beneath the Planet of the Apes - ( Director of Photography / 1970 / Released / )
The Sterile Cuckoo - ( Director of Photography / 1969 / Released / )
Don't Just Stand There! - ( Director of Photography / 1968 / Released / )
Hurry Sundown - ( Director of Photography / 1967 / Released / )
The Ballad of Josie - ( Director of Photography / 1967 / Released / Universal )
The St. Valentine's Day Massacre - ( Director of Photography / 1967 / Released / )
The Venetian Affair - ( Director of Photography / 1967 / Released / MGM/UA Entertainment Company )
Made in Paris - ( Director of Photography / 1966 / Released / MGM/UA Entertainment Company )
The Singing Nun - ( Director of Photography / 1966 / Released / )
Red Line 7000 - ( Director of Photography / 1965 / Released / )
The Sandpiper - ( Director of Photography / 1965 / Released / )
Fate Is the Hunter - ( Director of Photography / 1964 / Released / Fox Films, Ltd. )
Goodbye, Charlie - ( Director of Photography / 1964 / Released / )
A Ticklish Affair - ( Director of Photography / 1963 / Released / )
Love With the Proper Stranger - ( Director of Photography / 1963 / Released / )
The Courtship of Eddie's Father - ( Director of Photography / 1963 / Released / )
How the West Was Won - ( Director of Photography / 1962 / Released / Cinerama Inc )
Sweet Bird of Youth - ( Director of Photography / 1962 / Released / )
The Four Horsemen of the Apocalypse - ( Director of Photography / 1962 / Released / )
Two Weeks in Another Town - ( Director of Photography / 1962 / Released / )
Go Naked in the World - ( Director of Photography / 1961 / Released / )
King of Kings - ( Director of Photography / 1961 / Released / )
Bells Are Ringing - ( Director of Photography / 1960 / Released / )
Home From the Hill - ( Director of Photography / 1960 / Released / )
Count Your Blessings - ( Director of Photography / 1959 / Released / MGM/UA Entertainment Company )
The Man Who Understood Women - ( Director of Photography / 1959 / Released / )
The Remarkable Mr. Pennypacker - ( Director of Photography / 1959 / Released / )
A Certain Smile - ( Director of Photography / 1958 / Released / )
The Gift of Love - ( Director of Photography / 1958 / Released / )
An Affair to Remember - ( Director of Photography / 1957 / Released / )
Boy on a Dolphin - ( Director of Photography / 1957 / Released / )
Kiss Them For Me - ( Director of Photography / 1957 / Released / )
23 Paces to Baker Street - ( Director of Photography / 1956 / Released / 20th Century Fox Studios )
Bus Stop - ( Director of Photography / 1956 / Released / )
How to Be Very, Very Popular - ( Director of Photography / 1955 / Released / Fox Films, Ltd. )
The Girl in the Red Velvet Swing - ( Director of Photography / 1955 / Released / )
The Rains of Ranchipur - ( Director of Photography / 1955 / Released / )
The Seven Year Itch - ( Director of Photography / 1955 / Released / )
Demetrius and the Gladiators - ( Director of Photography / 1954 / Released / )
Desiree - ( Director of Photography / 1954 / Released / )
Garden of Evil - ( Director of Photography / 1954 / Released / Fox Films, Ltd. )
Three Coins in the Fountain - ( Director of Photography / 1954 / Released / )
Dream Wife - ( Director of Photography / 1953 / Released / )
Vicki - ( Cinematographer(- cinematography) / 1953 / Released / Fox Films, Ltd. )
Deadline U.S.A. - ( Director of Photography / 1952 / Released / )
Monkey Business - ( Cinematographer(- cinematography) / 1952 / Released / )
O. Henry's Full House - ( Photography / 1952 / Released / )
Phone Call From a Stranger - ( Cinematographer(- cinematography) / 1952 / Released / Fox Films, Ltd. )
All About Eve - ( Director of Photography / 1950 / Released / )
Holiday Affair - ( Photography / 1949 / Released / )
The Set-Up - ( Photography / 1949 / Released / RKO Pictures Distribution )
Without Reservations - ( Director of Photography / 1946 / Released / )
Scarlet Street - ( Photography / 1945 / Released / )
The Woman in the Window - ( Photography / 1944 / Released / )
The Spoilers - ( Director of Photography / 1942 / Released / )
Buck Privates - ( Director of Photography / 1941 / Released / Universal )
I Can Get It For You Wholesale - ( Cinematographer(- cinematography) / 1941 / Released / Fox Films, Ltd. )
The Bank Dick - ( Photography / 1940 / Released / )
Ride Him Cowboy - ( Camera Operator / 1932 / Released / )
The Lady From Cheyenne - ( Photography / / Released / Universal )
Trail of the Vigilantes - ( Photography / / Released / Universal )

TV Credits

Full Biography (Back to top)


Began his film career at age 15 and graduated to director of photography in 1933. Although Krasner had shot nearly 90 films in nearly all genres before the end of WWII, it was in the post-war period that Krasner distinguished himself as a highly versatile cinematographer. He is best remembered for his neorealist-influenced, black-and-white work in the late 40s (especially the Fritz Lang's noir thrillers "The Woman in the Window" 1944 and "Scarlet Street" 1945 and the stark fight picture "The Set Up" 1949), the Bette Davis classic "All About Eve" (1950), and his glossy CinemaScope compositions--particularly his collaborations with Vincente Minnelli--in the mid-50s.

Profession(s):
director of photography, camera operator, assistant cameraman
Sometimes Credited As:
Milton R Krasner
Horizontal Line
Family
son:Thomas Krasner (holds a PhD)
wife:Mildred Krasner (married in 1932; died in 1970)
Awards (Back to top)

Oscar Best Cinematography (Color) "Three Coins in the Fountain" 1954

Milestones (Back to top)

1971 Began shooting "Zachariah" (left production in Mexico after death of his mother)
1971 Worked on TV lensing "McMillan and Wife" and episodes of "Colombo"
1970 Completed last feature film, "Beneath the Planet of the Apes"
1963 Served as cinematogtapher on "How the West Was Won"; shot film in three-camera Cinerama
1959 Began almost exclusive eight-year relationship with MGM with "Count Your Blessings"
1954 Shot his first film in CinemaScope, "Three Coins in the Fountain"
1949 Began a sixteen-year stay at Twentieth Century-Fox with "House of Strangers"
1942 Shot his first three-strip Technicolor film as director of photography, "Arabian Nights"
1936 - 1944 Worked almost exclusively for Universal Pictures
1933 Promoted to first cameraman with "Strictly Personal"
1930 Became second cameraman (camera operator) on film, "Rain or Shine" (dir. Frank Capra)
1927 Returned to San Francisco to work on Jackie Coogan film, "Johnny Get Your Hair Cut" and the first of several Ken Maynard Westerns
1925 Went to Hollywood where he worked as assistant cameraman on Johnny Hines feature comedies for First National and Harry Carey Westerns for Pathe
1920 Moved to San Francisco; worked as camera (date approximate) assistant for various studios including the San Mateo Studio where Broncho Billy Anderson was producing his Westerns
At age 15 moved to Brooklyn with family; worked after school at Vitagraph Studios, New York putting film on a rack in the laboratory; later worked in cutting room and as assistant to cameraman Charlie



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