By Pete Hammond
Story
Baby Mama delivers the laughs non-stop. The story focuses on 37-year-old single business executive Kate Holbrook (
Tina Fey), who suddenly finds herself with strong maternal yearnings. But she is told she has only a million in one chance to conceive, disheartening news that sends her straight to a surrogacy agency whose pretentious owner (
Sigourney Weaver) hooks her up with Angie (
Amy Poehler), a low-rent working girl with a loser husband (
Dax Shepard) who has decided she should become a surrogate as part of a get rich quick scheme. When Kate learns the Angie is indeed pregnant, she starts preparing for the blessed arrival. But, much to her chagrin, what she doesn’t is expect is for Angie to land on her doorstep saying she has nowhere else to go. This sets up a female version of
The Odd Couple as Angie’s trailer trash lifestyle clashes repeatedly with Kate’s ordered existence. Despite the differences, the unlikely pair learn to accept each other and strike up a tentative friendship all in the name of baby-to-be.
Acting
Considering the fact that
Fey and
Poehler worked together on
Saturday Night Live and developed unique comic timing as anchors of “Weekend Update,” the chemistry they exhibit here in their first on-screen teaming should not come as a surprise. They are absolutely hilarious together as the screen’s latest--and greatest--Odd Couple (OK, next to the originals
Walter Matthau and
Jack Lemmon).
Fey, in particular, has a nice
Mary Tyler Moore quality to her, grounding her comedy in reality and creating an extremely likeable presence either on the big screen or small as she proves weekly in
30 Rock. Surrounding the two leads is a swell cast of comic vets led by
Weaver, a riot as the 50-something baby-obsessed surrogate agency head who likes to remind her clients that she is still fertile. Offering nifty support on the male side are
Greg Kinnear as a nice lawyer-turned-juice bar owner Kate develops an attraction to;
Romany Malco as the apartment doorman who likes to commiserate with the tenants; and
Shepard as
Poehler’s n’er do well common law husband. Steve Martin also shows up for an amusing turn as Kate’s boss--a silver hair pony tailed new age owner of a chain of organic food markets.
Direction
For what is essentially a chick flick, it’s a bit surprising to learn it was written and directed by a man,
Michael McCullers, who acquits himself nicely in his feature debut behind the camera. Some of that may be due to the fact he, too, is a
SNL writing alum and speaks the same kind of improvisational language as his stars. As co-screenwriter of the
Austin Powers films with another
SNL grad
Mike Myers,
McCullers clearly knows a thing or two about screen comedy. His experience shows in his effective and easy-going work on
Baby Mama, which despite constant contemporary references, feels in some way like a throwback to the more genteel movie comedies of the ‘50s and ’60--right down to the peppy musical score and bright technicolored look of the film. Key for making his vision work is in casting. When you’ve got pros like these working for you, what could possibly go wrong?