By Mike Szymanski
Story
At the height of his writing fame,
Truman Capote (
Philip Seymour Hoffman) becomes captivated by a small story in the
New York Times about a family of four murdered in their Kansas farmhouse by a shotgun at close range. The diminutive bespectacled author, known up to this point for
Breakfast at Tiffanys and writing about the New York social scene, heads out to Kansas for
The New Yorker magazine with his assistant Harper Lee (
Catherine Keener), who would later write
To Kill a Mockingbird. Lee helps
Capote fit into the small town that is rocked by the murders and introduces
Capote to the townsfolk, including the investigator Alvin Dewey (
Chris Cooper), who is hot on the trail of the killers, Perry Smith (
Clifton Collins Jr.) and Dick Hickock (
Mark Pellegrino). Lee keeps
Capote in check, as does his editor William Shawn (
Bob Balaban) and longtime partner Jack Dunphy (
Bruce Greenwood). But
Capote is transfixed by Smith, and ends up spending a lot of time with him in jail after the trial. Inevitably, the small Kansas town tragedy leads
Capote to his definitive work,
In Cold Blood, becoming an obsession for the self-indulgent author.
Capote seemingly wants to help get Smith and Hickock an appeal after they are convicted to hang for the murders of the Clutter family. But truly, he is more concerned with himself. He lies, cajoles and fools himself as he toils over the book. He tells people rather callously that he hopes their appeals will end so he could have an ending to the book. And when they do hang,
Capote is there. But he never completes another book ever again.
Acting
After critics saw
Hoffman's performance at the Toronto International Film Festival, one of the prevailing thoughts is that he's this year's
Jamie Foxx. He's the man to beat for the Best Actor Oscar for his spot-on portrayal of the irritatingly gifted writer who could get anyone to talk about anything.
Hoffman is known for getting into his roles rather deeply, but he can go overboard and has been known to milk his parts to the point of stealing attention away from everything else in the movie (think
Cold Mountain or
Red Dragon). But for
Capote, he's expected to be over the top. Not only will
Hoffman most assuredly get a nomination, but the movie could be a Best Picture contender as well as nominations for
Keener,
Collins and
Dan Futterman, for the screenplay. Another nearly hidden, but precious, role is handled nicely by
Amy Ryan as Marie Dewey, the Kansas housewife who coos over
Capote's visit to their community and ends up giving him the credibility to gain access to the mindset of the town.
Direction
Taking this true story to the big screen is certainly a challenge when you have the classic film
In Cold Blood out there, but
Capote fills in a lot of the gaps that the previous film--and the book--leave out. And it is also telling that there are two films being been made about
Capote during the time he wrote
In Cold Blood.
Have You Heard? starring Brit Toby Jones as the diminutive writer and Sandra Bullock as Harper Lee, is due to be released in 2006. But
Capote won the race--and could very well dampen the other's chances. Director
Bennett Miller is old school chums with writer/actor
Futterman and
Hoffman--and
Capote is obviously a labor of love between them.
Futterman may get too wordy in a few of the scenes, especially between
Capote and Smith, but under
Miller's guidance, they are tense moments nonetheless, confined to a jail cell.
Futterman had access to the actual letters between
Capote and Smith and used them word for word in the script. Without comment,
Miller offers ugly sides to all the major characters and shows all of their duplicity in a stark and frank way. The film has a documentary feel to it, sticking to the facts and avoiding any preachiness. It offers a window into the world of New Journalism, and the poetic license seen in creative non-fiction and fictional biographies so prevalent today.