Chuck & Buck (2000)

Chuck & Buck (2000)




What Critics Say



"Chuck & Buck" is inspired amateurishness run amok.



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Starring Michael White, Chris Weitz, Paul Weitz, Lupe Ontiveros and Beth Colt.
Directed by Miguel Arleta. Produced by Matthew Greenfield. Written by Michael White. Released by Artisan Entertainment.
es: Brockovich is a torrent of profanity.

'Erin Brockovich'

Julia Roberts: Erin Brockovich

Albert Finney: Ed Masry

Aaron Eckhart: George

Marg Helgenberger: Donna Jensen

Cherry Jones: Pamela Duncan

Peter Coyote: Kurt Potter

Universal Pictures and Columbia Pictures present a Jersey Films production. Director Steven Soderbergh. Producers Danny DeVito, Michael Shamberg, Stacey Sher. Written by Susannah Grant. Executive producers John Hardy, Carla Santos Shamberg. Cinematographer Ed Lachman. Editor Anne V. Coates. Production design Philip Messina. Music Thomas Newman. Costumes Jeffrey Kurland. Art director Christa Munro. Set decorator Kristen Toscano Messina. Running time: 2 hours, 11 minutes.
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By Eric Rosenberg

Story


Nerdy, emotionally underdeveloped Buck (Mike White) and music biz yuppie Charlie (Chris Weitz) were best friends in their youth, but they haven't seen each other in years when they meet at the funeral of Buck's mother. Incorrectly assuming that their relationship will pick up where it left off, the jealous-minded, obsessive Buck trails Charlie back to L.A., doing his best to lodge himself between his weirded-out old pal and Charlie's more understanding fiancee (Beth Colt). In the process, we learn exactly how intimate "Chuck" and Buck were as lads.
Acting
The decision to cast filmmakers with little acting experience in several key roles is a gamble that doesn't exactly pay off. White, a TV writer-producer who also penned "Chuck & Buck's" screenplay, is an engagingly offbeat, unnerving presence as Buck, but he doesn't have the chops to keep building the performance over a 95-minute film. "American Pie" producer Weitz is stiff and unnatural as Chuck. His brother and directing partner Paul Weitz is better as a meathead actor Buck hires for a small play he produces.
Direction
Miguel Arteta ("Star Maps") shot his ultra-cheapie second feature on digital video, and the crude results are little better than a home movie. Arteta and White manage to save the project, however, with their surprisingly dark view of Buck, who gets more and more interesting as he gleefully subverts the contemporary Hollywood stereotype of geeks/gay men as the noble victims of macho abuse.

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