Synopsis
The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-drama Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival.
What Critics Say
Billed as "a (mostly) true story," "Cradle Will Rock" is an interesting and vibrant look at American theater and art worlds facing adversity in 1930s New York played out as a cautionary tale against artistic censorship.
With an imaginative and informative original screenplay that seamlessly harmonizes true-life events and characters with fictionalized ones and acted with a labor-of-love energy by a cast of over a dozen well-respected actors from both film and stage, Tim Robbins' third directorial and writing effort employs a style that can be described as being both Altmanesque in scope and Sturgeslike in pacing and tone.
Although taking all this in can be a little too frantic and overpowering at times, "Cradle Will Rock" authentically re-creates the look and feel of the period admirably. With a highly charged theatricality that incorporates music and wit, viewing the film almost seems like experiencing live Broadway musical theater (that fact, combined with the subject matter at hand, should make the film a rare delight for theater aficionados yet a bit daunting for some mainstream moviegoers).
At the heart of the story is a production led by a young Orson Welles (Angus MacFadyen, a bit out of control). The production is a controversial musical piece about unionism by a little-known composer named Marc Blitzstein (an intense Hank Azaria). Under the auspices of the government's Works Progress Administration, Welles and his partner, John Houseman (captured with an amusing pretentiousness by Cary Elwes), lead a unit under the Federal Theatre Project (a Depression-era relief agency) headed by purposeful Hallie Flanagan (Tony winner Cherry Jones). Headed for trouble because of its supposedly inflammatory content, the play is eventually shut down by the federal government right before the first performance.
Also dealing with the concept of censorship is renowned Mexican artist Diego Rivera (spiritedly played by Ruben Blades), whose freedom of expression is denied after being commissioned by a controlling 24-year-old Nelson Rockefeller (a capable John Cusack) to paint a mural for the new Rockefeller Center.
Other figures of both the elite class, and struggling ones, are effectively played by diverse actors such as Joan Cusack, John Turturro, Emily Watson, Susan Sarandon, Jack Black, Paul Giamatti, John Carpenter and Bob Balaban.
Especially noteworthy are featured side stories involving Bill Murray as an alcoholic has-been ventriloquist and a breezy Kay Thompsonish performance by a delightful Vanessa Redgrave as the bohemian-spirited socialite wife of a fictional industrialist portrayed by the prolific Philip Baker Hall.
The coming together of all these tales is the climax of the piece, where the troupe of the ill-fated "The Cradle Will Rock" rally behind Welles, Houseman and Blitzstein to persevere in a show-must-go-on fashion (reminiscent of a popular theme in many musicals of the same time period). Extremely well-staged, this rousing finale captures an exciting yet fairly obscure moment in American musical-theater history and revels in it as a symbol of free expression triumphing over small-minded artistic oppression.
Outstanding technical expertise includes the work of esteemed French cinematographer Jean Yves Escoffier, frequent Altman editor Geraldine Peroni and Robbins' regular production designer, 1999 Tony Award winner Richard Hoover. Production is greatly served by the detailed work of costume designer Ruth Meyers (whose period work in 'L.A. Confidential' also left an impressive mark) and the team of hair and makeup artists headed, respectively, by Kathe Swanson and Linda Grimes.
* MPAA rating: R, for some language and sexuality.
"Cradle Will Rock"
Hank Azaria: Marc Blitzstein
Angus MacFadyen: Orson Welles
John Cusack: Nelson Rockefeller
Cary Elwes: John Houseman
Susan Sarandon: Margherita Sarfatti
Emily Watson: Olive Stanton
Joan Cusack: Hazel Huffman
John Turturro: Aldo Silvano
A Buena Vista presentation. Director Tim Robbins. Screenplay Tim Robbins. Producers Tim Robbins, Jon Kilik and Lydia Dean Pilcher. Director of photography Jean Yves Escoffier. Editor Geraldine Peroni. Music David Robbins. Production designer Richard Hoover. Costume designer Ruth Myers. Art directors Troy Sizemore and Peter Rogers. Set decorator Deborah Schutt. Running time: 2 hours, 12 minutes.
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Tim Robbins' ensemble 'Cradle Will Rock' rocks
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Tim Robbins' ensemble 'Cradle Will Rock' rocks By P. Ignatieff, Hollywood.com
'Cradle Will Rock': Official Website MovieGuide Interviews: Hank Azaria John Cusak Tim Robbins Biographies: Tim Robbins John Cusak Hank Azaria Billed as "a (mostly) true story," "Cradle Will Rock" is an interesting and vibrant look at American theater and art worlds facing adversity in 1930s New York played out as a cautionary tale against artistic censorship.
With an imaginative and informative original screenplay that seamlessly harmonizes true-life events and characters with fictionalized ones and acted with a labor-of-love energy by a cast of over a dozen well-respected actors from both film and stage, Tim Robbins' third directorial and writing effort employs a style that can be described as being both