By Nicholas White
Story
As a disposable
Harrison Ford vehicle,
Firewall is part
Hostage, part
Catwoman. Physical violence is pervasive, as Ford and his family (including Oscar nominee
Virginia Madsen) are taken hostage by a band of thugs. Silver-haired
Ford plays Jack Stanfield, a computer-programming expert whose bank account accrues an unexplained $95,000 debt. Before he investigates, a trio of men invade his house and rough up Jack’s wife (
Madsen), daughter (
Carly Schroeder) and son (
Jimmy Bennett). At the same time, a businessman (
Paul Bettany) shows up at Jack’s office, unannounced. A whole bunch of confusing stuff follows, in which Jack must get his family back, keep a low profile, and not tell the police. After extorting $100 million from his company for ransom, Jack tracks the bad guys down by finding the family dog’s whereabouts, via Internet satellite dog collar.
Bettany, a real S.O.B., poisons the young son with a chocolate bar with nuts.
Acting
It’s not clear why
Ford and company chose to do
Firewall. The script seems quite vacuous on the page and the actors’ onscreen excitement (or lack of) is palpable.
Ford is brooding and frigid in the lead role.
Madsen, in her first role since
Sideways, is marginalized in the mother-hen role, her earthiness underplayed. Bettany, who starred in
Firewall director
Richard Loncraine’s previous
Wimbledon, is cartoon-like as a menacing hit man.
Bettany reels off lines reminiscent of
Sharon Stone in
Catwoman. Ten-year-old
Jimmy Bennett has become the go-to Hollywood kid for being pushed around in a mainstream movie (
Amityville Horror,
Hostage). In
Firewall, he’s shoved, poisoned and has his mouth is taped. Just another day’s work.
Direction
Loncraine’s 30 plus-year directing résumé doesn’t have a whole lot of good films on it. He’s a British director with touches of aristocratic long-windedness, whose best movies include
Richard III with
Ian McKellen and the 2002 HBO Winston Churchill biopic
The Gathering Storm.
Firewall is a Hollywood product, stylized around action sequences, bad dialogue and a persistent background soundtrack. None of
Firewall's characters make an audience connection.
Ford is prone to muddled logic and aloofness.
Bettany, as the lovably nefarious villain, should have been a lot more lovable. I’m going to shift the blame of these two proven actors’ performances to
Loncraine’s direction, which, given his history, likely deserves it. References to Internet technology, though presumably sound, come off as jargon and white noise. The ensuing mess is a computer-code chase that doesn’t add up to much--and doesn’t whet an appetite for
Harrison Ford’s upcoming
Indiana Jones 4.