Synopsis
Known more for his dark, psychological crime thrillers Primal Fear (1996) and Fallen (1998), director Gregory Hoblit surprisingly created this Frank Capra-meets-Rod Serling-style fantasy that mixes several genres of storytelling into a likable stew. James Caviezel stars as John Sullivan, a New York police detective who has never recovered from the death of his father Frank (Dennis Quaid), a firefighter who died heroically when John was a boy. Experimenting with his dad's beloved ham radio one summer night, extreme sunspot activity allows John to contact Frank 30 years in the past. Since he's able to warn Frank away from danger, his father's death never occurs. Then the unthinkable happens: John's altered future is one in which his mother Julia (Elizabeth Mitchell) has been murdered by a serial killer. Now John in the present and Frank in the past must try to solve the riddle of the killer's identity and change the time line again. Frequency was written by Toby Emmerich, the brother of actor Noah Emmerich, who appears in a supporting role created specifically for him.
What Critics Say
The most unbelievable part of this sci-fi, time-travel, cop drama, thriller is that is works.
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Movie News
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EXTRA: High 'Frequency,' Low 'Noon'
HOLLYWOOD, June 21, 2000 - Ever seen Final Destination or Frequency? If you haven't, chances are someone within your rock-throwing range has. See, people -- a lot of them, we might add -- have been buying tickets to these films week after week after week, making them the year's modest, if not surprise, hits.
Which bring us to this perplexing question: In a box-office world dominated by "M-I:2" blockbusters, how do you account for throwaway flicks (see opening paragraph) that somehow manage to hang around long enough to rake in the dough, while higher-profile flicks like Jackie Chan's "Shanghai Noon" fizzle (relatively speaking) despite high expectations.
Just to get an idea of what we mean, consider this: It was just last weekend that the two-month-old "Frequency," which bowed in the No. 3 spot on its opening weekend (not a super- strong showing), finally fell out of the