| Studio |
Credit |
|
Paramount Pictures
|
Studio
|
| Director |
Credit |
|
Hall Bartlett
|
Director
|
| Cast |
Credit |
|
James Franciscus
|
of Jonathan Livingston Seagull
|
|
Juliet Mills
|
of Girl
|
|
Hal Holbrook
|
of Elder
|
|
Philip Ahn
|
of Chang
|
|
David Ladd
|
of Fletcher
|
|
Kelly Harmon
|
of Kimmy
|
|
Dorothy McGuire
|
of Parent
|
|
Richard Crenna
|
of Parent
|
| Production Credits |
Credit |
|
Hall Bartlett
|
Producer
|
| Production Companies |
Credit |
|
The JLS Limited Partership
|
Production Company
|
|
The Jonathan Company
|
Production Company
|
| Distribution Companies |
Credit |
|
Paramount Pictures
|
Domestic Theatrical Distributor
|
|
Les Acacias Cine Audience
|
Foreign Theatrical Distributor
|
| Locations |
|
| High Sierras, California, USA |
|
| Big Sur, California, USA |
|
| Yosemite, California, USA |
|
| Death Valley, California, USA |
|
| Carlsbad, California, USA |
|
| Mono Lake, California, USA |
|
| Pinnacle National Park, California, USA |
|
| Monterey-Carmel coast of California, USA |
|
| Mount Whitney, California, USA |
|
| Hawaii, USA |
|
| Writer |
Credit |
|
Hall Bartlett
|
Screenplay
|
|
Richard Bach
|
Source Material (from novel)
|
| Animal Training Handling |
Credit |
|
Ray Berwick
|
Animal Trainer - Bird Trainer
|
|
Matthew Place
|
Animal Services
|
|
Brian Callahan
|
Animal Services - Bird Supervision and Care
|
|
Gary Gero
|
Animal Trainer - Bird Trainer
|
|
James Callahan
|
Animal Services - Bird Supervision and Care
|
|
James Caliendo
|
Animal Trainer - Bird Trainer
|
| Art Department |
Credit |
|
Boris Leven
|
Production Designer
|
| Film Camera |
Credit |
|
Greg MacGillivray
|
Photography - Helicopter Photographer
|
|
Jack Couffer
|
Director of Photography
|
|
John Koester
|
Assistant Camera
|
|
Jim Freeman
|
Photography - Helicopter Photographer
|
| Music |
Credit |
|
Tom Catalano
|
Music Supervisor
|
|
Neil Diamond
|
Original Score - Background Score Composed and Adapted
|
|
John C Hammell
|
Music Editor
|
|
Donald MacDougall
|
Music - Music Mixer
|
|
Lee Holdridge
|
Original Score - Background Score Composed and Adapted
|
|
Charles Bud Grenzbach
|
Music - Music Mixer
|
|
Armin Steiner
|
Music - Sound Track Album Music Mixer
|
| Physical Effects |
Credit |
|
Art Scholl
|
Stunts - Aerobatic Aircraft
|
| Production Management |
Credit |
|
Mike Merrick
|
Post-Production Coordinator - Production's Representative
|
|
Catalina Lawrence
|
Script Supervisor
|
|
Gaylin Schultz
|
Production Supervisor
|
| Publicity |
Credit |
|
Robert Werden
|
Unit Publicist
|
| Sound |
Credit |
|
Richard R Portman
|
Sound Re-recordist
|
|
Jim Richard
|
Sound Editing - Sound Editorial Staff
|
|
Edward M. Thirlwell
|
Sound Effects Editor - Sound Effects Mixer
|
|
Wayne Artman
|
Sound - Production Sound
|
|
Richard Oswald
|
Sound Editing - Sound Editorial Staff
|
|
William Sawyer
|
Sound Editing - Sound Editorial Staff
|
|
Don Zimmerman
|
Sound Editing - Sound Editorial Staff
|
| Visual Effects |
Credit |
|
L. B. Abbott
|
Special Effects
|
|
Virginia Briggs
|
Special Effects - Continuing Imagery
|