By Kit Bowen
Story
Inspired by true events, we are told Emily Rose's harrowing tale through her priest, Father Moore (
Tom Wilkinson). As sanctioned by the Catholic Church, Father Moore tried to perform an exorcism on the girl, but failed. On trial for what the prosecution calls Emily's "negligent murder," Father Moore isn't afraid to go to jail. He is just desperate to tell Emily's story--how this fresh-faced, seemingly healthy 19-year-old farm girl (
Jennifer Carpenter) goes off to college and comes back home speaking in tongues, eating giant bugs and apparently inhabited by not just one but six separate demons who finally kill her. This is what Emily's family and Father Moore firmly believe happened to her. The medical community, however, claims Emily suffered from a combination of epilepsy and psychosis that, without proper medication, resulted in her death. In a case that will certainly further her career if she wins, whip-smart defense lawyer Erin Bruner (
Laura Linney) sets out to prove Father Moore only wanted to help. While the facts are laid out, the underlying question as to whether supernatural and evil entities truly exist remains constant. Don't expect any answers.
Acting
The cast's riveting performances is the real reason why
Emily Rose isn't an original TV movie. Through
Linney (
Kinsey),
Wilkinson (
In the Bedroom) and
Campbell Scott (
Roger Dodger), who plays the prosecuting attorney, we get three varying views on the subject of demon possession. Erin represents those who just don't know what they believe, and
Linney does a convincing job portraying a woman who is trying to do her job but, at the same time, is bothered by how it's affecting her. As the prosecuting attorney,
Scott is the naysayer. He's a devout Methodist, but he doesn't believe in the Catholic notion of possession and exorcism. And, of course, Father Moore is the true believer.
Wilkinson doesn't play him as a crackpot; rather, he gives the character a calm intelligence. He also shows us a man who has been deeply affected, not only by his failure to help Emily but by his compulsion to tell her story to the rest of the world. Then there's
Carpenter as the tortured Emily. Apparently, after director
Scott Derrickson saw what the young newcomer could do with her body and voice to make being invaded by demons believable (pay close attention to her hands), he knew he would need very little special effects.
Carpenter does an amazing job--without ever spewing green goo.
Direction
More than just a head-spinning, pea-soup-vomiting horror flick,
Emily Rose roots its terror in reality, which in a way makes it creepier. Now, I'm not saying
The Exorcist isn't one of the most frightening movies ever made, but
Derrickson, who also co-wrote
Emily Rose, takes the horrifying idea of demon possession and turns it into something less graphic and more thought provoking. To begin with, it's a little unnerving to know the Catholic Church is taking exorcisms pretty seriously. You might scratch your head on this one, wondering if angels and demons really do exist. If at 3 a.m., the witching hour does indeed begin, then the smell of something burning (sulfur, perhaps?) means the demons have come out to play. Still, in analyzing Emily's case through a courtroom, the movie leans toward those soapbox
Perry Mason-style speeches about fact vs. faith. Some of them work, and are executed with full effect, especially Erin's closing argument. But you know that if the same film starred
Melissa Gilbert and
Richard Chamberlain, it'd be on the USA Network.