By Guylaine Cadorette
Story
The story takes place in Zhejiang, a province ruled by a greedy governor who spends his days guarding his precious jewels and cavorting with his harem. But not even his legion of soldiers and mercenary Shaolin monks can stop the Iron Monkey, a masked vigilante who steals from the rich to give to the poor, from infiltrating the palace to stealing the governor's booty. Tired of continued defeat at the Iron Monkey's hands, the governor orders his chief constable Master Fox to find and unmask the avenger. What no one realizes is that the Iron Monkey is also the benevolent town medic, Dr. Yang. Caught up in the melee are Wong Kei-ying, a respected physician and martial artist from Guangdong, and his 10-year-old son Wong Fei-hong. In the ultimate kung fu showdown, the Iron Monkey comes to the aid of those falsely accused of his crimes.
Acting
Yu Rong-guang as Dr. Yang, a.k.a. Iron Monkey gives a seamless performance, transitioning gracefully from the warm and delicate doctor to the deadly martial artist.
Donnie Yen as the elder Wong, a victim of the government's "monkey sweep," is saddled with the difficult task of portraying a tough militant fighter and a sweet and loving father, yet he does so convincingly. The extremely talented young female martial arts champion Tsang Sze-man plays his son Wong Fei-hong, the martial artist and patriot character featured in the
Once Upon a Time in China movies and
Drunken Master.
Jean Wang also puts on a great show of skills as Miss Orchid, Dr. Yang's assistant. The martial arts skills of the stars, combined with their warm and realistic portrayals of their characters, add depth to the otherwise comedic and clumsy minions who appear alongside them.
Direction
The fact that
Iron Monkey was made in 1993 makes this film even more impressive than it already is. Originally released direct-to-video in the U.S., Miramax Films bought the theatrical rights in 2000 and re-released the newly restored subtitled print. While the subtitles help retain the sense of the original dialogue, they also highlight its silliness. Characters, for example, announce their moves before doing them, like "Shaolin Golden Palm!" or "Flying Sleeves!" The corny dialogue is at times reminiscent of old B-movies, but the mind-blowing action sequences make up for that and the unoriginal story line. Why is the action so much better than the story? The director's skills lend a clue: -you might remember
Iron Monkey director Yuen Wo Ping's action choreography from the recent hits
Crouching Tiger, Hidden Dragon and
The Matrix.