By Mark Burger
Story
Say, have you heard the one about the troubled family that forsakes the trials and tribulations of city life for a bucolic new life on a rustic farm out in the middle of nowhere? It’s never a good idea to move into a house when the previous residents of said farm vanished without a trace—and it’s
still not a good idea here. Soon teenager Jess (
Kristen Stewart) and her three-year-old brother begin seeing ominous apparitions invisible to everyone else. When those specters become violent, Jess' sanity is questioned--a double jeopardy for the tormented teen.
Acting
Stewart,
Jodie Foster’s endangered daughter in
Panic Room, is appropriately moody and plucky as the terrorized teen whom no one believes.
Penelope Ann Miller and
Dylan McDermott are both suitably dense as Mom and Dad, with twins Evan and Theodore Turner suitably spooky as the wide-eyed baby brother who can see everything.
X-Files regular
William B. Davis, sans cigarette, drops in a couple of times as the local real-estate agent, and a grizzled
John Corbett plays a shotgun-toting farm hand who the family hires with surprisingly little hesitation. There’s only so much the actors can do with the material, and they pretty much do it.
Direction
Directors
Danny and
Oxide Pang, veterans of such popular Asian scarefests as
The Eye and
Ab-normal Beauty, know their way around a scare, and
The Messengers has some decent jolts along the way. Ultimately, however, the peskiest of all problems – the plot – tends to get in the way. As the story pieces fall into place, the film itself tends to fall apart. In addition, this is yet another horror film that has been given a box-office-friendlier PG-13 rating (in the February issue of
Fangoria, co-star
Corbett makes his displeasure known about this issue). This is the Pang brothers’ first stateside project, and despite their stylistic touches, there’s an unmistakable sense of selling out.