By Kit Bowen
Story
Everything appears to be status quo between humans and mutants. There’s a president who is sympathetic towards mutants, Prof. Charles Xavier’s (
Patrick Stewart) school is thriving and Magneto (
Ian McKellen) is quiet--for the moment. But when a “cure” for mutancy is discovered, which would give those with the mutant gene the choice to give up their powers and become human, Magneto sees red. Cure mutants? Dem’s fightin’ words. With a few more allies on his side--including the resurrected Jean Grey (
Famke Janssen), who now calls herself the Phoenix and has unlimited powers--Magneto prepares to trigger the war to end all wars, while the X-Men--lead by the stalwart Wolverine (
Hugh Jackman) and milquetoasty Storm (
Halle Berry)--try to stop him. I seriously doubt this is really their
Last Stand.
Acting
All the usual suspects are back.
Stewart is once again sufficiently wise as Xavier, while
McKellen’s Magneto continues to be one of the cooler comic-book villains. It’s amusing to watch him calmly mangle cars or dislodge the Golden Gate bridge with a gleam in his eye.
Janssen also seems to relish playing dual roles--the tormented Grey and her evil alter ego, Phoenix, who is one scary broad. Unfortunately,
Jackman doesn’t have as much to chew on in
Last Stand as he did in
X2, and
Berry is once again only good for drumming up fog. But the new mutants are kind of fun:
Ellen Page (so deadly in
Hard Candy) plays sweet this time as Kitty Pryde, who can “phase” through solid material;
Vinnie Jones (
Snatch) is boisterous as the aptly named Juggernaut;
Kelsey Grammer is diplomatic as the highly intelligent--and very blue--Dr. Hank McCoy, aka Beast; and
Dania Ramirez (
Fat Albert), as the blink-of-an-eye quick Callisto, gets to kick Storm’s ass. Cool cat fight.
Direction
How
dare director
Bryan Singer leave his X-Men to go direct another superhero movie, even if it is
Superman Returns. If Wolverine had anything to say about, he might have ripped Singer a new one. You really do feel
Singer’s absence in
The Last Stand. All of the director’s tormented pathos towards his mutant comrades and their struggles to live in the human world are not as prevalent in this third installment. Instead, we’ve got happy-go-lucky director
Brett Ratner of
Rush Hour fame, who turns
The Last Stand into one giant id--big, explosive and campy. Of course, to his credit,
Ratner is pretty good at delivering a rousing, albeit superficial, action movie. It’s just not as gripping as
X2. But listen, the spirit of the comic is already built in from the previous installments, so, in essence, we already know these characters pretty well. Do we really need more angst?