As one of two major documentaries on hotly-debated Senegalese world musician Youssou N'Dour to emerge within a year of one another (see also Youssou N'Dour: Return to Gorée), this particular chronicle was produced and shot over a period of several years. Helmed by director Chai Vasarhelyi, it witnesses the evolution and production of N'Dour's June 2004 album Egypt, on the Nonesuch label - the recording that details N'Dour fully expressing his newfound Muslim faith. A veritable bedrock of controversy, the album courted objections from multiple countries; Americans objected because of their post-9/11 tendencies to attribute Islam to violent extremism, Senegalese deejays and radio station proprietors objected given the odd discomfiture associated with playing religious music about Allah alongside often-racy selections by other acts. Even more significantly, N'Dour inadvertently carried this controversy a step further by performing, live, during the Muslim holy month of Ramadan - thus infuriating Senegalese religious conservatives. The film witnesses N'Dour confronting these challenges head-on and, incredibly, surmounting them with great ease and finesse.