Forced March (1989)

Forced March
Type Feature Film
MPAA Rating None
Runtime 1hr 44mins.
Genres Drama
Keywords acting, actor, conflict, father/son, filmmaking, hero, historical, Holocaust, Hungary, WWII
Status Released
US Release Date
Name Credit Credited as Role Id Sort Order
Gerrit Van Der Meer Unit Production Manager n/a 182 5000001
Harvey Waldman Assistant Director n/a 163 5000002
Charles Karoly Bardosh Screenplay n/a 120778 4000002
Dick Atkins Screenplay n/a 120778 4000001
George Zelma Associate Producer n/a 171 3000004
Ivan Mark Director of Photography n/a 120780 6000001
Evan Lottman Editor n/a 172 7000001
George Bossaers Sound n/a 120816 14000001
Chuck Jones Publicity publicist 120789 29000001
Judit Szekulesz Costume Designer n/a 169 13000001
Tamas Hornyanszky Art Director art direction 183 9000002
Laszlo Rajk Production Designer n/a 164 9000001
Gerrit Van Der Vigger Supervising Producer n/a 1275 3000003
Richard Karo Executive Producer n/a 174 3000002
Viveca Lindfors Actor n/a 1 1000005
Bill Raymond Actor Gyorgy 1 1000006
John Seitz Actor Walter Hardy 1 1000004
Josef Sommer Actor Richard Kline 1 1000003
Renee Soutendijk Actor Mira van der Meer/Fanni Radnoti 1 1000002
Paul Jericho Actor Paul / Gyula Ortotay 1 1000007
Rosalind Cash Actor n/a 1 1000008
Rick King Director n/a 2 2000001
Dick Atkins Producer n/a 3 3000001
Rajk Laszlo Actor Lt. Antal Szall 1 1000011
Hans Jacob Actor Miklos Lorsi 1 1000010
Larry Golden Actor Lt. Ede Maranyi 1 1000009
Chris Sarandon Actor Benjamin Kline/Miklos Radnoti 1 1000001
Ben Kline is an American television star and a "bankable name" who is cast to portray the Hungarian writer and World War II hero Miklos Radnoti, whose journal of poems was found with his body, buried in one of Hungary's mass graves. Kline is the son of a Holocaust survivor and has long resented his father's refusal to speak about the war. Now given the opportunity to play the role of a hero, but faced with the reality of a victim, the boundaries between truth and illusion begin to blur. Kline's idea of resistance begins to clash with his director, who rejects his impulses to fight back as unrealistic. How will Kline fulfill his role as Radnoti and what kind of legacy will he leave in the minds of the audience, who may come to know the Holocaust only by what they see in the movies?