Bound (1996)
| Type | Feature Film |
| MPAA Rating | R |
| Runtime | 1hr 47mins. |
| Genres | Crime, Short Film |
| Status | Published |
| US Release Date | 10/04/1996 |
| Name | Credit | Credited as | Season |
|---|---|---|---|
| Andy Wachowski | Director | ||
| Andy Wachowski | Executive Producer | ||
| Andy Wachowski | Screenwriter | ||
| Larry Wachowski | Director | ||
| Larry Wachowski | Executive Producer | ||
| Larry Wachowski | Screenwriter | ||
| Lizzy Gardiner | Costume Designer | ||
| Gina Gershon | Actor | Corky | |
| Jennifer Tilly | Actor | Violet | |
| Joe Pantoliano | Actor | Caesar | |
| Richard Sarafian | Actor | Gino Marzzone | |
| Christopher Meloni | Actor | Johnnie Marconi | |
| Andrew Lazar | Producer | ||
| Dane A. Davis | Sound/Sound Designer | ||
| Nancy Foy | Casting | ||
| Tom Hammond | Foley Editor | ||
| Zach Staenberg | Editor | ||
| Mary Mara | Actor | Bartender | |
| Gene Borkan | Actor | Roy | |
| Stuart Boros | Producer | ||
| Susie Bright | Actor | Jesse | |
| Susie Bright | Consultant/advisor | ||
| Cliff Cudney | Stunts Coordinator | ||
| Andrea Dopaso | Art Director | ||
| Stan Jones | Music Editor | ||
| Ivan Kane | Actor | cop | |
| Barry Kivel | Actor | Shelly | |
| Kevin Richardson | Actor | cop | |
| John Ryan | Actor | Mickey Malnato | |
| Margaret Smith | Actor | Woman Cop | |
| Peter Spellos | Actor | Lou | |
| Cheryl Starbuck | Script Supervisor | ||
| Jeffrey Sudzin | Co-Producer | ||
| Jack Richard Tate | Location Manager | ||
| Teresa Kelly | Post Production Supervisor | ||
| Patti Podesta | Title Design | ||
| Bill Pope | Cinematographer | ||
| Rob Sweeney | Camera Operator | ||
| Kristen Toscano Messina | Set Decorator | ||
| Rip Murray | first Assistant Director | ||
| Felipe Borrero | Sound Mixer | ||
| Lou Carlucci | Special Effects Supervisor | ||
| Andre Blaise | Hair Styles | ||
| Steve Brimmer | Recording | ||
| Michael Bromberg | Foley Artist | ||
| John Carlucci | Special Effects Foreman | ||
| Craig Cathers | Re-Recording Mixer | ||
| Marty Church | Foley Recordist | ||
| Bob Deschaine | ADR Mixer | ||
| Ezra Dweck | Re-Recording Mixer | ||
| Eric Friend | Foley Editor | ||
| Wayne Gee | first Assistant Director | ||
| Stan Ginsel | Foley Editor | ||
| Grover Helsley | Re-Recording Mixer | ||
| Dana Johnson-Porter | ADR Recordist | ||
| John Kwiatkowski | Dialogue Editor | ||
| David Mancini | Foley Recordist | ||
| Suzanne Rodier | Key Make-up | ||
| Joan Rowe | Foley Artist | ||
| Katie Rowe | Foley Artist | ||
| Sean Rowe | Foley Artist | ||
| Suzy Sharp-Kane | Casting | ||
| Toni Whiteman | first Assistant Director | ||
| Don Davis | Composer (Music Score) | ||
| Peter C. Jensen | Steadicam Operator | ||
| James A. Borgardt | ADR Editor | ||
| Harry E. Otto | Set Designer | ||
| David P. Barton | Prosthetic Makeup Effects | ||
| Robert W. Glass, Jr. | Re-Recording Mixer | ||
| Robert C. Goldstein | Art Director | ||
| Charles W. Ritter | Dialogue Editor | ||
| Tony Cucchari | Camera Operator | ||
| Pearl A. Lucero | Production Supervisor | ||
| Dan Walllin | Re-Recording Mixer | ||
| Mark Turner | Lead Scenic Artist | ||
| Cinema Research Corp. | Title Design | ||
| Eve Cauley | Production Designer | ||
| FTS Effects | Special Effects | ||
| Modus EFX | Prosthetic Makeup Effects |
