Silk Stockings (1957)

Silk Stockings
Type Feature Film
MPAA Rating N/A
Runtime 1hr 57mins.
Genres Adaptation, Romance, Remake, Musical
Keywords N/A
Status Released
US Release Date
  
Name Credit Credited as Role Id Sort Order
Cole Porter Music n/a 120781 8000004
Andre Previn Music music director 120781 8000005
Carol Richards Performer (vocalist) (Cyd Charisse) 120819 8000006
Abe Burrows Music from musical("Silk Stockings") 120781 8000003
Leueen McGrath Music from musical("Silk Stockings") 120781 8000002
Robert Bronner Director of Photography n/a 120780 6000001
Harold F Kress Editor n/a 172 7000001
George S Kaufman Music from musical("Silk Stockings") 120781 8000001
Cole Porter Theme Lyrics lyrics 120861 8000007
Edwin B Willis Set Decorator n/a 165 9000001
William Tuttle Makeup n/a 353 13000002
Hermes Pan Choreographer choreography(Fred Astaire's dances) 120803 17000001
Eugene Loring Choreographer choreography 120803 17000002
Helen Rose Costume Designer costume design 169 13000001
Randall Duell Art Director art direction 183 9000004
Hugh Hunt Set Decorator n/a 165 9000002
William A Horning Art Director art direction 183 9000003
Al Jennings Assistant Director n/a 163 5000001
Melchior Lengyel From Story ("Ninotchka") 120870 4000003
Jules Munshin Actor Bibinski 1 1000006
Joseph Buloff Actor Ivanov 1 1000007
Wim Sonneveld Actor Peter Ilyitch Boroff 1 1000008
George Tobias Actor Vassili Markovitch 1 1000005
Peter Lorre Actor Brankov 1 1000004
Cyd Charisse Actor Ninotchka 1 1000002
Janis Paige Actor Peggy Dayton 1 1000003
Belita Actor Dancer Vera 1 1000009
Ivan Triesault Actor Russian Embassy Official 1 1000010
Arthur Freed Producer n/a 3 3000001
Leonard Gershe Screenplay n/a 120778 4000001
Leonard Spigelgass Screenplay n/a 120778 4000002
Rouben Mamoulian Director n/a 2 2000001
Tybee Afra Actor Dancer 1 1000013
Betty Barrie Chase Actor Dancer Gabrielle 1 1000011
Da Utti Actor Dancer 1 1000012
Fred Astaire Actor Steve Canfield 1 1000001
Synopsis
An American film director, shooting a film in Paris, enlist a famed Russian composer to do the music, but the people back in Moscow feel the experience might cause him to defect. They send some agents, one of them a woman, to keep the director from enticing him, but eventually even the agents are converted to the charms of a capitalist society.