After.Life (2010)

Type Feature Film
MPAA Rating R
Runtime 1hr 44mins.
Genres Drama, Thriller
Keywords death, supernatural
Status Released
US Release Date
Name Credit Credited as Role Id Sort Order
Colin Cumberbatch Production Coordinator n/a 162 5000002
Anastas Michos Director of Photography n/a 120780 6000001
Peter Pasterilli Unit Production Manager n/a 182 5000001
Jakub Korolczuk Screenplay n/a 120778 4000003
Agnieszka Vosloo Screenplay n/a 120778 4000001
Paul Vosloo Screenplay n/a 120778 4000002
Niven Howie Editor n/a 172 7000001
Paul Haslinger Music n/a 120781 8000001
Matt Blades Key Grip n/a 263 15000001
Shawn Greene Gaffer n/a 268 15000002
Luca Mosca Costumer n/a 120880 13000001
Matthew Lessall Casting Director n/a 157 10000002
Ford Wheeler Production Designer n/a 164 9000001
John Papsidera Casting Director n/a 157 10000001
Riva Marker Co-Producer n/a 170 3000009
Joy Goodwin Co-Producer n/a 170 3000008
Celia Weston Actor Beatrice Taylor 1 1000006
Shuler Hensley Actor Vincent Miller 1 1000007
Chandler Canterbury Actor Jack 1 1000005
Josh Charles Actor Tom Petersen 1 1000004
Liam Neeson Actor Eliot Deacon 1 1000002
Justin Long Actor Paul Conran 1 1000003
Agnieszka Vosloo Director n/a 2 2000001
Brad Michael Gilbert Producer n/a 3 3000001
Cooper Richey Executive Producer n/a 174 3000006
Catherine Kellner Executive Producer n/a 174 3000007
Edwin L Marshall Executive Producer n/a 174 3000005
James Swisher Executive Producer n/a 174 3000004
Celine Rattray Producer n/a 3 3000002
William Perkins Producer n/a 3 3000003
Christina Ricci Actor Anna Taylor 1 1000001
After a horrific car accident, Anna wakes up to find the local funeral director, Eliot Deacon, preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna's grief-stricken boyfriend Paul still can't shake the nagging suspicion that Eliot isn't what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over the other side.