Sauve-moi (2000)

Type Feature Film
MPAA Rating N/A
Runtime N/A
Genres Drama, Adaptation, Romance
Keywords N/A
Status Released
US Release Date
Name Credit Credited as Role Id Sort Order
Helene Louvart Director of Photography n/a 120780 6000001
Francine Sandberg Editor n/a 172 7000001
Jacques Royer Assistant Director n/a 163 5000001
Roseback Montserrat Source Material (from novel) ("Ne Crie Pas") 120793 4000004
Ricardo Montserrat Screenplay n/a 120778 4000002
Ricardo Montserrat Source Material (from novel) ("Ne Crie Pas") 120793 4000003
Philippe Cohen-Solal Music n/a 120781 8000001
Thomas Peckre Production Designer n/a 164 9000001
Bernard LeRoux Sound n/a 120816 14000001
Olivier Mauvezin Sound Designer n/a 120915 14000002
Catherine Boisgontier Costume Designer n/a 169 13000001
Jacqueline Wawrzyniak Casting n/a 179 10000002
Frédérique Moidon Casting n/a 179 10000001
Christian Vincent Screenplay n/a 120778 4000001
Fabienne Vonier Executive Producer n/a 174 3000002
Olivier Gourmet Actor n/a 1 1000005
Philippe Nahon Actor n/a 1 1000006
Jean-Roger Milo Actor n/a 1 1000004
Karole Rocher Actor Cecile 1 1000003
Rona Hartner Actor Agatha 1 1000002
Pierre Berriau Actor Marc 1 1000007
Philippe Fretun Actor n/a 1 1000008
Christian Vincent Director n/a 2 2000001
Alain Guesnier Producer n/a 3 3000001
Claudio Cherguia Actor n/a 1 1000011
Pierre Louis-Calixte Actor n/a 1 1000010
Bernard Vissille Actor n/a 1 1000009
Roschdy Zem Actor Mehdi 1 1000001
Mehdi drives his illegal taxi through Roubaix, in northeastern France, picking up a passenger, Agatha, at the train station. The exotic and animated Agatha has come from Romania to meet her summer lover. When he rebuffs her, a smitten Mehdi finds her a place to stay through his extended family, a group of friends employed at low-end, dead-end jobs. Mehdi's circle of friends face an everyday struggle with demeaning work and cynical bosses. The adventurous Agatha nudges some of them toward dissatisfaction with their Roubaix-bound lives, especially Mehdi, who feels he is going round in a circle-not just in his taxi, but also in life. In the end, he begins quietly to move closer to the circle's center-as much of a change for him as breaking out of it.