James Ellroy's Feast of Death

James Ellroy's Feast of Death
Type TV Movie
MPAA Rating N/A
Runtime 1hr 30mins.
Genres Crime, Documentary, Biopic
Keywords N/A
Status Completed
US Release Date
  
Name Credit Credited as Role Id Sort Order
James Ellroy Actor Himself 1 1000001
Nick Nolte Actor Himself 1 1000002
Vikram Jayanti Director n/a 2 2000001
Anthony Wall Executive Producer n/a 174 3000001
Vikram Jayanti Producer n/a 3 3000002
Mike Snaith Co-Producer n/a 170 3000003
Vikram Jayanti Screenplay n/a 120778 4000001
Erica Banks Unit Manager (Original Unit: Arena) 120832 5000001
Aaron Weisblatt Production Manager n/a 305 5000002
Celia Quartermain Post-Production Supervisor n/a 120796 5000003
Maryse Alberti Cinematographer cinematography 402 6000001
Dyanna Taylor Camera n/a 120798 6000002
Ulli Bonnekamp Assistant Camera n/a 233 6000003
Antonio Rossi Assistant Camera n/a 233 6000004
Brandon Terrell Photography n/a 120835 6000005
Alan Barker Photography n/a 120835 6000006
Perry Gibbs Color n/a 121024 6000007
Emma Matthews Editor n/a 172 7000001
Andrew Mitchell On-Line Editor n/a 120811 7000002
Rob Lane Music n/a 120781 8000001
Nigel Edwards Dubbing Mixer n/a 120923 14000001
Alan Barker Sound n/a 120816 14000002
Mark Weingartner Gaffer n/a 268 15000001
Greg King Gaffer n/a 268 15000002
Mika Sogawa Electrician n/a 450 15000003
Michael Grinage Electrician n/a 450 15000004
Joseph Massier Best Boy n/a 120885 15000005
Roger hendry Finance Manager (Original Unit: Arena) 120941 16000001
Brandon Terrell Production Assistant n/a 275 25000001
Synopsis
Think fast: who committed the gruesome "Black Dahlia" murder in Los Angeles in 1947? If you don't know, you're not alone. It's perhaps Hollywood's most celebrated unsolved homicide. Yet in this portrait of master crime author James Ellroy, we gain great insight -indeed, perhaps even the outright solution- to the puzzle of that crime, as well as insight into the murder of Ellroy's own mother, who was killed when Ellroy was only ten years old. Loosely framed around two long, sumptuous dinners at LA's Pacific Dining Car restaurant, at which Ellroy engages in candid conversation with his friends in the LAPD Homicide division, the film looks at the complex relationship between cops and murder victims and those who survive them. But the film is also a literal and figurative tour into the dark places of Ellroy's psyche, places illuminated here by the white-hot beam of a police cruiser's spotlight.
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