The Arbor (2011)

Type Feature Film
MPAA Rating None
Runtime 1hr 34mins.
Genres Foreign, Documentary, Biopic
Keywords death, family, mother/daughter, prison, writer
Status Released
US Release Date
Name Credit Credited as Role Id Sort Order
Harry Escott Music n/a 120781 8000001
Molly Nyman Music n/a 120781 8000002
Nick Fenton Editor n/a 172 7000002
Daniel Goddard Editor n/a 172 7000001
Scott Bassett Production Manager n/a 305 5000002
Ole Birkeland Director of Photography n/a 120780 6000001
Lucy Bright Music Supervisor n/a 120872 8000003
Matthew Button Production Designer n/a 164 9000001
Tim Barker Sound Designer n/a 120915 14000002
Tim Barker Sound Recordist n/a 331 14000003
Richard Davey Rerecording Mixer n/a 120856 14000001
Matthew Price Costume Designer n/a 169 13000001
Amy Hubbard Casting n/a 179 10000001
Ameenah Ayub Post-Production Supervisor n/a 120796 5000001
Clio Barnard Screenplay n/a 120778 4000001
Jimi Mistry Actor Yousaf 1 1000006
Monica Dolan Actor n/a 1 1000007
Neil Dudgeon Actor Steve 1 1000005
Robert Emms Actor David Dunbar 1 1000004
Natalie Gavin Actor Andrea Dunbar 1 1000002
Christine Bottomley Actor Lisa 1 1000003
Danny Webb Actor n/a 1 1000008
Kathryn Pogson Actor n/a 1 1000009
Tracy O'Riordan Producer n/a 3 3000001
Michael Morris Executive Producer n/a 174 3000002
Clio Barnard Director n/a 2 2000001
George Costigan Actor n/a 1 1000011
Jonathan Haynes Actor n/a 1 1000010
Manjinder Virk Actor Lorraine 1 1000001
A portrait of troubled British playwright Andrea Dunbar and her tumultuous relationship with her daughter. Andrea wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate. When she died, tragically at the age of 29 in 1990, her daughter Lorraine was just ten years old. Now 29 years old, Lorraine is currently ostracized from Buttershaw and in prison, serving a sentence for manslaughter for the death of her son. While being rehabilitated in prison, Lorraine is re-introduced to her mother's plays and private letters, and as she reflects on the parallels in their lives, she begins to come to terms with her role in the death of her son.