Pina (2011)

Pina
Type Feature Film
MPAA Rating PG
Runtime 1hr 43mins.
Genres Foreign, Documentary, Biopic, Dance
Keywords 3-D, biopic, dance
Status Released
US Release Date
Name Credit Credited as Role Id Sort Order
Pina Bausch Actor Herself 1 1000001
Wim Wenders Director n/a 2 2000001
Wim Wenders Producer n/a 3 3000001
Gian-Piero Ringel Producer n/a 3 3000002
Wolfgang Bergmann Producer n/a 3 3000003
Gabriele Heuser Producer n/a 3 3000004
Dieter Schneider Producer n/a 3 3000005
Claudie Ossard Producer n/a 3 3000006
Chris Bolzli Producer n/a 3 3000007
Jeremy Thomas Executive Producer n/a 174 3000008
Heiner Bastian Associate Producer n/a 171 3000009
Stefan Rüell Associate Producer n/a 171 3000010
Stephan Mallmann Associate Producer n/a 171 3000011
Mohammad Zahoor Associate Producer n/a 171 3000012
Wim Wenders Screenplay n/a 120778 4000001
Helene Louvart Cinematographer n/a 402 6000001
Jorg Widmer Cinematographer n/a 402 6000002
Alain Derobe Projectionist Stereographer 121104 6000003
Toni Froschhammer Editor n/a 172 7000001
Thom Hanreich Music n/a 120781 8000001
Matthias Burkert Music Coordinator Musical Director 206 8000002
Andreas Eisenschneider Music Coordinator Musical Director 206 8000003
Milena Fessmann Music Supervisor n/a 120872 8000004
Peter Pabst Art Director n/a 183 9000001
Dominique Mercy Artistic Advisor Artistic Consultant 973 9000002
Marlon Cito Costume Designer n/a 169 13000001
Rolf Borzik Costume Designer n/a 169 13000002
André Rigaut Sound n/a 120816 14000001
Matthias Lempert Rerecording Mixer n/a 120856 14000002
Pina Bausch Choreographer n/a 120803 17000001
Francois Garnier 3-D Animator 3D Supervisor 120933 23000001
Synopsis
Homage to late choreographer Pina Bausch (1940-2009), a leading influence in the development of the Tanztheater style of dance. Bausch was the artistic head of Tanztheater Wuppertal, a German group that fuses modern dance with theatrical flourishes into a kind of hybrid art form. Lewis Segal, former Times dance critic, said that "it is limiting to call her a choreographer; she liked the term 'dance theater.' She was important because she thought everything belonged together -- speech, movement, design, commenting on the audience."