In his day, Charlton Heston had the market cornered on the epic movie. The prolific leading man would turn his name into a genre watermark, delivering behemoth films about fantastic people and places. Teaming regularly with visionary Cecil B. DeMille, Heston breathed life into Bible stories from Testaments Old and New, and invited audiences to take a new, dramatic look at cultural icons. His career brought him to fallen empires, strange planets, and thrilling mysteries. And although many would argue that Heston’s cinematic accomplishments cannot truly be duplicated, Hollywood will try, try again to relive his majesties. The latest in the film industry’s many endeavors to reproduce a Heston classic involves Ben-Hur, William Wyler’s three-and-a-half-hour drama that set the star as a Jewish prince forced into slavery and then thrust upon a revenge quest against the companion who betrayed him.
Deadline reports that MGM, the studio that produced the 1959 opus (and its 1925 silent film precedent), is looking to recreate the story of Judas Ben-Hur for modern audiences. The studio will call back to writer Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ, which inspired both pictures. Interestingly, Wallace’s Ben-Hur stood as the second best selling piece of writing in the world, next to the Bible, from the time of its publication until the release of Gone with the Wind. Living up to the glory of its source material, Wyler’s Ben-Hur maintained status as the only film to win 11 Academy Awards (Best Picture included) for almost 40 years (1997’s Titanic broke Ben-Hur‘s record with 14 Oscar wins).
With this sort of legacy, the plight of a Ben-Hur remake will not be an effortless one. Looking at reattempted Heston pieces of past, we can surmise just what direction in which MGM might plan to take its bountiful new prospect…
The Tim Burton Travesty
In 2001, Tim Burton kicked off a long line of disappointing remakes with Planet of the Apes, transforming the 1968 science-fiction allegory into a misguided mass of Wahlbergian yelling. And just imagine what a field day Burton would do with Ben-Hur‘s famous chariot sequence, what with the endless reach of modern stop-motion animation at his disposal and an inexplicable penchant for spiraling appendages.
The Sub-Disney Animated Family Film
From Heston’s Ten Commandments came a like-titled animated movie, with the likes of Ben Kingsley, Christian Slater, Alfred Molina, and Elliot Gould (as the man upstairs) offering voices to the Biblical characters. The reason you might not have heard of this 2007 picture is because of its critical panning, minute gross, and small studio backing. Ratatouille it was not. (Although a Pixar take on Ben-Hur might be worth exploring…)
The Tuesday Night Sitcom
A decade following Heston’s turn in P.T. Barnum biopic The Greatest Show on Earth, Jack Palance took on the ringleader role in an ABC dramedy that involved the star in the trials and tribulations of his various circus performers. The show didn’t last very long, failing in the ratings warfare with more popular comedies of the era. Today’s small screen Judah B.? Probably something in the vein of Noah Wyle, if he can ever step away from Falling Skies.
The CGI-Heavy Franchise Seedling
A far more successful endeavor than any of those mentioned again stemmed from Planet of the Apes. The 2011 hit Rise of the Planet of the Apes was markedly more imaginative than Burton’s turn with the material, this time predating the events of the original film with a prequel of sorts, placing ape Caesar at the center of the story. There aren’t too many animals worthy of shifting the focus toward in Ben-Hur… maybe the racing horses? I wonder what they’re thinking… Call Serkis.
[Photo Credit: MGM]