As the weekend’s opening releases dominated the box office charts, it was obvious moviegoers were only looking for one thing–the right Signs.
Buena Vista’s Signs, about crop circles and creepy green men from outer space, landed the number one spot with a whopping $60.3 million, giving the film the second best August opening of all time. It follows last summer’s smash hit Rush Hour 2, which made $67.4 million when it was released Aug. 3, 2001.
The PG-13-rated thriller made it to 3,264 theaters nationwide, averaging an estimated $18,474 per theater, and proved audiences were more than willing to see a film pairing wunderkind writer/director M. Night Shyamalan with star Mel Gibson. Signs marks the best opening ever for both talents.
Of last weekend’s new releases, only one remained in the top five–New Line’s Austin Powers in Goldmember, which dropped from its top spot to No. 2 this weekend. The raucous PG-13-rated comedy took in an estimated $32.4 million, falling a rather significant 56 percent from its huge opening, but still managing to average an estimated $8,968 per screen in 3,613 theaters. Goldmember‘s cume so far is $142.9 million, making it the 11th film this year to pass the $100 million mark. Not too shabby.
Opening in the third spot was Sony’s Master of Disguise. The PG-rated comedy from funny man Dana Carvey was a family film alternative that brought in a respectable $13 million ($5,068 average per screen) and joins Sony’s other top 10 summer winners, including Stuart Little 2 and Men In Black II.
The No. 4 slot went to another funny guy, although in a much different film. Opening with $7.5 million, Paramount’s Martin Lawrence Live: Runteldat proved its worth, taking in an estimated $9,973 on only 752 screens.
In this R-rated stand-up concert film, comedian Martin Lawrence discusses the many things on his mind, including his past troubles with drugs, his run-ins with the law and his near-death experience. It is directed by David Raynr.
At No. 5, some familiar faces return. DreamWorks’ Road to Perdition, now in its fourth week, dropped from No. 2 to take the No. 5 position with a steady $6.6 million. Even though the R-rated film took a 41 percent cut from last weekend, the Tom Hanks/Paul Newman gangster drama, which is already being considered Oscar bait, managed an estimated $2,830 in approximately 2,332 theaters. Perdition‘s cume to date is a solid $77.2 million.
The No. 6 slot belongs to Sony’s Stuart Little 2. In its third week, the little-mouse-that-could sequel brought in $6 million, slipping from last week’s third place slot and falling 43 percent (averaging $1,939 per screen in 3,095 theaters). The PG-rated family comedy’s total to date is $46.8 million.
Stuart Little 2 is directed by Rob Minkoff and stars Geena Davis, Hugh Laurie and Jonathan Lipnicki with the vocal talents of Michael J. Fox, Melanie Griffith, Nathan Lane, Steve Zahn and James Woods.
Sony’s Men In Black II slid from No. 4 to No. 7 this weekend, taking in $4.7 million. Averaging only an estimated $1,620 per screen, the PG-13-rated comedy about policing those darned aliens on Earth, now in its fifth week, dropped 45 percent. But have no fear, fans, the film’s total cume is still a respectable $182 million.
Talk about a little film that could. IFC Films’ My Big Fat Greek Wedding is proving to be amazingly resilient. Now in week 16 and still only showing on 655 theaters, the PG-rated independent comedy about one woman’s Greek family and the sweet man she brings into it moved up from the No. 10 slot to No. 8 this week. Taking in a healthy $3.013 million this weekend, Wedding averaged $4,601 per screen. Its total to date is a healthy $40.1 million.
Two films that couldn’t more different tied for the ninth and tenth spots–Paramount’s K-19: The Widowmaker and Buena Vista’s The Country Bears, both of which took in $3 million this weekend. Guess it was a toss-up whether to see a movie about a deadly nuclear submarine accident or one featuring giant bears singing and dancing. Hmmm.
K-19 dropped 59 percent from fifth place last weekend (averaging $1,139 per screen), with its cume to date being $30.8 million. The Country Bears fell from sixth with a 43 percent cut (averaging $1,175 per screen), with a cume of $11.7 million to date.
The Country Bears, based on the popular Disney theme park attraction, stars Christopher Walken, Stephen Tobolowsky, Eli Marienthal and the vocal talents of Haley Joel Osment. It is directed by Peter Hastings.
One other prominent film opened this weekend–Miramax’s Full Frontal, directed by Oscar winner Steven Soderbergh and starring Julia Roberts. Labeled a sequel of sorts to Soderbergh‘s indie hit sex, lies and videotape, Miramax only released Full Frontal in 208 theaters. The film still managed to make the top 20, bringing in $725,000 and averaging $3,486 per screen.