Based on the popular American Girl series of books and doll line this first edition focuses on Kit Kittredge (Abigail Breslin) an aspiring young cub reporter who during the Great Depression finds her sunny world turned upside down when her father’s (Chris O’Donnell) car dealership goes under and he must leave Cincinnati to find other work. This leaves Kit and her mother (Julia Ormond) to fend for themselves selling eggs and home-grown veggies and renting out rooms in order to keep the family home. Kit always has time for others bringing home a stray Basset hound or convincing her parents to let a couple of hobo friends (Max Thieriot Willow Smith) help out around the house in return for meals. They are among the colorful characters in her life including the Kittredge’s new tenants a magician (Stanley Tucci) a man-hungry dancer (Jane Krakowski) and a ditzy librarian (Joan Cusack). Kit also spends a lot of time writing articles including a glowing one on the hobo community which she hopes to sell to the craggy publisher (Wallace Shawn) of the local newspaper. When a crime spree suddenly hits and the Kittredge’s savings are wiped out blame is pointed at the hobo camp. With the help of her buddies Stirling (Zach Mills) and Ruthie (Madison Davenport) Kit must solve the mystery and save the day. With a part tailor-made for her Breslin is the perfect Kit endlessly optimistic determined and hopeful. Clearly she is the child star of the moment walking capably in the footsteps of the Culkins and Fannings of the world. The film not designed for anyone over 10-years-old really belongs to the kids with both Mills–as the awkward Stirling–and Davenport–as best friend Ruthie–add a lot of charm to the proceedings. Also doing nicely is Thieriot (Jumper) as one of the young hobo boys and Will Smith’s daughter Willow in a surprising turn as his good friend (who may or may not be who she seems). Adult roles are largely one-dimensional but a good supporting cast makes the most of them particularly Tucci and the colorful Cusack. Shawn is fun as the editor Kit keeps trying to impress and O’Donnell and Ormond are sympathetic parents. Director Patricia Rozema (Mansfield Park) competently directs this old-fashioned live-action family film that is so “G” and squeaky clean it seems out of place with all the hipper CGI-type of fare aimed at younger audiences today. Since this film was obviously designed to sell the enormously popular American Girl dolls you can’t expect a masterpiece. Still there is a certain sweetness and longing for a life long ago that makes this more a cousin to something out of the ‘30s or ‘40s like Judy Garland’s Meet Me in St. Louis than to Breslin’s previous hits Nim’s Island and Little Miss Sunshine. How her fans react will be interesting but clearly the filmmakers (which include executive producer Julia Roberts) are just hoping to move some merchandise and put a smile on the faces of the very youn–and very female–target audience. If Rozema’s pleasant film does that you can expect a slew of sequels based on other American Girl dolls.