The ‘Argo’ Articles, and Other Non-Book Sources for Best Adapted Screenplay Nominees



In the real world, copying somebody else’s written material for your own personal gain is called plagiarism. In the movie biz, it’s called adaptation.



Since 1940, the Academy Awards have distinguished the adapted screenplay in its own category, honoring films whose scripts were derived primarily from books, plays, and short stories. But the occasional Best Adapted Screenplay nominee can credit its source to other media — such is the case for this year’s nod, the true story thriller Argo.



Ben Affleck’s directorial feature, written by Chris Terrio, was actually born from a WIRED magazine article by journalist and film producer Joshuah Bearman in 2007. The piece, titled “How the CIA Used a Fake Sci-Fi Flick to Rescue Americans from Tehran,” was a chronicling of CIA operative Tony Mendez’s unorthodox plan to retrieve a group of American diplomats from a hostage crisis in Iran in the late 1970s. Bearman penned the article following the declassification of the CIA documents describing the events.



Argo‘s company in this year’s Best Adapted Screenplay category draw from more traditional sources: the scripts for Life of Pi and Silver Linings Playbook each comes from its eponymous novel, written by Yann Martel and Matthew Quick, Respectively; Steven Spielberg and screenwriter Tony Kushner cite the nonfiction book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin as the source for their biopic Lincoln; and the story of Beasts of the Southern Wild writer/director Benh Zeitlin was inspired by his co-writer Lucy Alibar’s own play, Juicy and Delicious. Heck, even Argo does accredit some hardcover material with the machination of its script alongside the aforementioned original article (Bearman’s book The Great Escape, in which he expands on the topic, and Agent Mendez’s own account of the event, his memoirs The Master of Disguise). The category has housed a great majority of projects with roots in the forms of book and play. But there are a handful of interesting outliers, spanning from 1931 all the way to the present…



Skippy (1931): Predating the separate Best Adapted Screenplay and Best Original Screenplay categories, the family-friendly Jackie Cooper starrer was adapted from the syndicated comic strip of the same name.



American SplendorMrs. Miniver (1942): The romantic drama about the dawn of World War II drew from a series of columns in Great Britain’s The Times newspaper, wherein the titular character Kay Miniver was created.



Boomerang! (1947): The true story of this film noir was first chronicled in a Reader’s Digest article by journalist Fulton Oursler (under the pen name Anthony Abbot).



Marty (1955):The classic romantic drama was the first of several films to be adapted from a teleplay — Paddy Chayefsky wrote both the big and small screen versions of the story.



I Want to Live! (1958): Another film noir drawn from true events, this film extrapolated its story about a woman on death row from letters penned by the basis and namesake for its main character, Barbara Graham. A second source for the movie came from a collection of newspaper articles from journalist Ed Montgoomery.



Lawrence of Arabia (1962): The life of British Army officer T.E. Lawrence was chronicled in this classic epic, thanks to the adaptation of the collective writings from the hero himself.



Pennies from Heaven (1981): Ever since Marty, a handful of films has earned nominations for adapting television movies to film; this was the first, however, to earn a nod for adapting a television miniseries (the 1978 BBC drama of the same name).



The Insider (1999): Another film drawn from a magazine article, this time from Marie Brenner’s Vanity Fair piece “The Man Who Knew Too Much,” about tobacco industry whistleblower Jeffrey Wigand, played in the film by Russell Crowe.



O Brother, Where Art Thou? (2000): Classing up the list a bit is this Coen Brothers comedy, which adapted its script from Homer’s epic poem The Odyssey.



Ghost World (2001): The first film to earn a nomination for a script adapted from a graphic novel came from Daniel Clowes, who turned his own comic book Ghost World into this comedy-drama.



Shrek (2001): In the same year, this blockbuster animated film pioneered the category’s nomination of a script with another type of source: picture book (William Steig’s Shrek!).



American Splendor (2002): The brilliant comedic biopic drew its material from the works of subject Harvey Pekar and his wife and fellow comic book author Joyce Brabner (American Splendor and Our Cancer Years, respectively).



Before Sunset (2004): Richard Linklater’s screenplay was considered an adaptation, due to its use of characters from the preceding film Before Sunrise, which was written by Linklater and Kim Krizan.



A History of Violence (2005): Another graphic novel adaptation — screenwriter John Olson brought John Wagner and Vincent Locke’s A History of Violence to screen with this picture.



Borat (2006): It might surprise you to recall that the Academy recognized this bawdy film with a Best Adapted Screenplay nomination; the film was considered an adaptation of the character developed by Sacha Baron Cohen for his small screen venture, Da Ali G Show.



In the Loop (2009): In the same vein, Armando Iannucci transported his The Thick of It hero Malcolm Tucker to the big screen in this satirical film.



District 9 (2009): Cutting it a little close to home, this sci-fi drama/parable for human intolerance and oppression was actually adapted from another movie — a short film titled Alive in Joburg.



Toy Story 3 (2010): Borrowing the characters from the original Toy Story, a new assortment of screenwriters vied for the Oscar in this magnificent threequel.



[Photo Credit: Warner Bros; Fine Line Features]





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