Sci-fi definitely has its Emo side: bleak, solemn, and contemplative. Some trace it back to Hal, the moody mainframe from 2001, but it goes back as far as Fritz Lang’s pioneering dystopic vision in Metropolis.
While we hold our breath for the release of Gravity, Alfonso Cuarón’s hat tip to a morose future, here is a short list of seminal sci-fi buzzkills.
Worshiper of esoterica Steven Soderbergh remade this somber Russian sci-fi classic. His version was even more pensive and sad, and 100 times more beautiful.
This profoundly grim tale proved Lars von Trier could loosen his grip on his dogma about film artifice without checking his misanthropy at the door. The result is excruciating, but oddly soulful.
Lang’s Metropolis resonates throughout Ridley Scott’s masterwork about androids that are so alienated they think they’re human. Like teenagers, only smarter.
Don’t eat before you see this movie. And you won’t want to eat after it. The Road might be the perfect diet.
This cult film our cringeworthy future delivers the granddaddy of all twist endings. It would make a perfect double feature with The Road. But you’ll want to hold the popcorn.