In an almost completely wordless first 40 minutes we meet the workaholic robot Wall E (Waste Allocation Load Lifter Earth-Class) as he goes about the daily tasks–organizing an abandoned junk yard with remnants of what life was like before mankind was forced to leave earth (or die) in the 22nd century. Apparently no one remembered to turn his switch off so he continues to do his thing in the shadow of an eerily empty city. One day a spaceship lands and drops off a spiffy search robot named EVE (Extra-terrestrial Vegetation Evaluator). EVE strikes up a touching even romantic relationship with little Wall E his first contact with anything or anyone (other than a pet cockroach) in about 700 years. When EVE discovers that Wall E may have come upon the living proof that Earth is once again inhabitable she blasts off to tell the humans aboard the Axiom–a massive shopping mall-like space station–that it may finally be safe to return home. Not wanting to let her go Wall E hops on during takeoff and blasts into the outer reaches of the universe where he experiences the surreal future and brings hope from the past. Be prepared to fall in love with the most engaging and original new movie star in ages. The extraordinary performance here is a robot who utters sounds not words and comes brilliantly alive through state-of-the-art CGI animation and expert vocal design by legendary sound wizard Ben Burtt (R2D2 of Star Wars). He makes this non-human love-struck piece of tin the most human element in the film. Wall E does not need words to express his understanding of affairs of the heart. In fact the early sequences in which he repeatedly watches an old video tape of the 1969 musical Hello Dolly (the only one is his obviously limited collection) we totally understand where his notions of romance come from–and from an 800 year-old semi-flop Hollywood movie no less. The trip into space brings encounters with some misfit robots as well as the rotund immobile humans competently performed by vets like Jeff Garlin as the ship’s captain Fred Willard John Ratzenberger Kathy Najimy and Sigourney Weaver as the ship’s computer. But the real acting voice-over prizes belong to Burtt and his sound design colleagues this time. Oscar take notice: Pixar has done it again. Co-writer/director Andrew Stanton won an Oscar for Finding Nemo and has worked in some capacity on just about every Pixar triumph from Toy Story; through last year’s Oscar winning Ratatouille. His creative need to stretch and explore uncharted ‘toon territory results in the offbeat Wall-E which abandons the talking creature formats for a surreal touching and environmentally-conscious love story. The film sets off alarms for the future of our planet but also offers hope that it’s not too late. Stanton’s most daring notion is to create almost a silent film for the first half and in so doing gives us an animated cinematic experience the likes of Chaplin Keaton and Jacques Tati would have loved. The achievement of keeping an audience glued to the screen watching incommunicative non-humans who learn to communicate and care for each other is no easy thing. Stanton creates beautiful visuals and a well-crafted story to go with them. This is one from the heart.