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21
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Movie Review
21 (PG-13)
Kit Bowen
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Hollywood.com Says
Even though you can predict what happens,
21
is still fairly compelling for a movie about counting cards at a blackjack table.
Story
Of course,
21
isn’t
just
about blackjack. It’s more about Ben Campbell (
Jim Sturgess
), a shy but brilliant M.I.T. student who--needing to pay Harvard medical school tuition--finds the answers in the cards, so to speak. After dazzling his unorthodox math professor and stats genius Micky Rosa (
Kevin Spacey
) with some mathematical prowess, Ben is quickly indoctrinated into Rosa’s group of “gifted” students, who head to Las Vegas every weekend with the know-how to count cards and beat the casino at the blackjack tables. And win big they do. Ben is soon seduced by the allure of this luxurious lifestyle, including his sexy teammate Jill (
Kate Bosworth
), but begins rebelling against the well-oiled machine Rosa has built. Apparently, you don’t want to cross this particular math professor--nor the old-school casino security consultant (
Laurence Fishburne
), who has set his sights on Ben as a master card counter. It’s not illegal to do that, but the casinos don’t much like it when they catch you doing it. Hey, what happens in Vegas…oh, you know the rest.
Acting
The most well-rounded performance comes from the British
Sturgess
, best known for singing Beatles’ songs in
Across the Universe
. His Ben starts out as a naive math whiz/nerd, whose biggest thrill is designing the perfect science project for an M.I.T. contest, but then becomes the smooth Vegas dude with the nice clothes and hot girlfriend and finally turns into the guy who eventually loses it all. It’s not hard to see just how much Ben is going to change once he gets involved in the moneymaking scheme, but
Sturgess
handles the transition with aplomb. The stiff
Bosworth
isn’t nearly as effective as his love interest, but she has her moments. Also good for comic relief is
Aaron Yoo
(
Disturbia
) as one of the blackjack players who, oddly enough, is also a kleptomaniac. The performance drawbacks in
21
come from the more veteran players.
Spacey
and
Fishburne
seem to be going through the motions, utilizing techniques they’ve used many times before.
Spacey
can whither whoever it is with that look of his, while
Fishburne
postures as he always does. It’s too bad they couldn’t have put in more effort.
Direction
As with any movie in which the action is inherently stagnant (i.e., sitting at a blackjack table), the question is how to keep things visually stimulating. That’s where director
Robert Luketic
--who up to this point has only done broad comedies such as
Legally Blonde
and
Win a Date with Tad Hamilton
--comes in.
Luketic
does a fine job maneuvering the camera around the tables, creating slo-mo close-ups of the cards and incorporating a cool soundtrack. A good montage or four usually can also work well in a situation like this, and
Luketic
fully utilizes that technique--from the kids winning to them spending their money in gloriously obscene ways. Based on the book
Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions
,
21
has the extra advantage of being a somewhat true story as well. But the script from
Peter Steinfeld
and
Allan Loeb
basically copies from other sources and never really distinguishes itself.
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