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Stomp the Yard
Reviews
Movie Review
Stomp the Yard (PG-13)
Kit Bowen
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Hollywood.com Says
Despite its predictability, all that stompin’ in this
Yard
will get you moving in your seat.
Story
Who knew about the traditions of “stepping?”
Stomp the Yard
lets moviegoers in on this age-old style of dance customarily done in the black fraternities and sororities, where teams demonstrate complex moves and create rhythmic sounds by using their bodies. It’s exciting to watch, to say the least. But in between the powerful dance sequences, we’re handed a corny plot, revolving around a wrong-side-of-the-tracks guy named DJ (
Columbus Short
), who moves from L.A. to Atlanta to escape his woes and inadvertently gets in on the whole step deal when he attends Truth University. DJ’s raw talent as a hip-hop inspired dancer places him at the center of a fierce rivalry between two fraternities—one who has won the annual stepping championship seven years in a row and the other who wants to claim it for themselves. Guess which fraternity DJ joins? Guess who wins? Yeah, not too hard to figure this one out.
Acting
The cast thankfully sells the hackneyed story, starting with the incredibly charismatic
Short
(
Accepted
). A former choreographer for pop stars such as
Britney Spears
,
Short
certainly pulls off the dancing with ease, and he handles the dramatic chores with aplomb. He also has nice chemistry with the lovely
Meagan Good
(
Roll Bounce
), who plays a rich girl DJ pursues despite being the girlfriend of rival frat stepper, played by
Soul Food
’s
Darrin Henson
, another excellent dancer. The third actor/dancer to watch for in
Stomp
is
Brian White
(
The Family Stone
), as the leader of DJ’s fraternity and an old school step master who gets a little education from the streetwise DJ. Let’s just say everyone is very easy on the eyes and their moves sizzle and pop.
Direction
Much like
Tyler Perry
’s movies (
Diary of a Mad Black Woman
,
Madea's Family Reunion
),
Stomp the Yard
may appeal to a niche market, but it's definitely a refreshing change of pace from typical urban street movies. Sure,
Stomp
is one cliché after another, but newbie director
Sylvain White
knows exactly where the film’s bread is buttered: It’s all about the dance and music. And while other dance movies--the recent
Step Up
comes to mind--fall in the same category,
White
distinguishes
Stomp
by skillfully highlighting this particular pulse-pounding dance style, as well as showing the rich culture and traditions of our black college campuses.
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